Nigerian writer (born 1977)
Chimamanda Ngozi Adichie (; born 15 September 1977) is a Nigerian writer, whose works include fiction, nonfiction, and lectures. She is widely recognised as a central figure in postcolonial feminist literature. Born into an Igbo family in Enugu, Nigeria, Adichie was educated at the University of Nigeria in Nsukka, where she studied medicine for a year and half. She left Nigeria at the age of 19 to study in the United States at Drexel University in Philadelphia, Pennsylvania, and went on to study at: Eastern Connecticut State University, Johns Hopkins University, and Yale University in the U.S. Many of Adichie's novels are set in Nsukka, where she grew up. She started writing during her university education. She first wrote Decisions (1997), a poetry collection, followed by a play, For Love of Biafra (1998). She achieved early success with her debut novel, Purple Hibiscus. Adichie has written many works and has cited Chinua Achebe and Buchi Emecheta as inspirations. Her writing style juxtaposes Western and African influences, with particular influence from Igbo culture. Most of her works explore the themes of religion, immigration, gender and culture. Adichie is a public speaker who has spoken at many commencement ceremonies, including at Williams College (2017), Harvard University (2018), and the American University (2019). She has also delivered Ted Talks, among them, "The Danger of a Single Story" (2009) and "We Should All Be Feminists" (2012). Part of the latter was featured by American singer Beyoncé in her song, as well as being featured on a T-shirt by Dior in 2016. Adichie's awards and honours include academic and literary prizes, fellowships, grants, honorary degrees, and other high recognition, such as a MacArthur Fellowship in 2008 and induction into the American Academy of Arts and Sciences in 2017.
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"Marriage can be a source of joy and love and mutual support but why do we teach girls to aspire to marriage and we don’t teach boys the same? We raise girls to see each other as competitors not for jobs or accomplishments, which I think can be a good thing, but for the attention of men. We teach girls that they cannot be sexual beings in the way that boys are.”
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I finally understand why people get tattoos of those they have lost. The need to proclaim not merely the loss but the love, the continuity. I am my father’s daughter. It is an act of resistance and refusal: grief telling you it is over and your heart saying it is not; grief trying to shrink your love to the past and your heart saying it is present.