Christopher Isherwood Quotes

These books have not made George nobler or better or more truly
wise. It is just that he likes listening to their voices, the one or the other, according to his
mood.

The Nazis were not right to hate the Jews. But their hating of Jews was not without a cause. No one ever hates without a cause.

Never mind. Never mind. In this brief life, one cannot always be counting the cost.

For other people, I can't speak - but, personally, I haven't gotten wise on anything. Certainly, I've been through this and that; and when it happens again, I say to myself, Here it is again. But that doesn't seem to help me. In my opinion, I, personally, have gotten steadily sillier and sillier - and that's a fact.

Comparing the two cities — the Berlin I knew in the early thirties and the Berlin I revisited in the early fifties — I have to admit that the latter is, in many respects, a far more exciting setting for a novel or a sequence of stories. Life in the Berlin of 1952 had an intensely dramatic doubleness. Here was a shadow-line cutting a city in half — a frontier between two worlds at war — across which people were actually being kidnapped, to disappear into prisons or graves. And yet this shadow-frontier was being freely crossed in the most humdrum manner every day, on foot, in buses, or in electric trains, by thousands of Berliners commuting back and forth between their work and their homes. Many men and women who lived in West Berlin were on the black list of the East German police; and, if the Russians had suddenly marched in, they couldn’t have hoped to escape. Yet, in this no man’s land between the worlds, you heard the usual talk about business and sport, the new car, the new apartment, the new lover.

California is a tragic country — like Palestine, like every Promised Land. Its short history is a fever-chart of migrations — the land rush, the gold rush, the oil rush, the movie rush, the Okie fruit-picking rush, the wartime rush to the aircraft factories — followed, in each instance, by counter-migrations of the disappointed and unsuccessful, moving sorrowfully homeward.

What it sees there isn't so much a face as the expression of a predicament.

But George knows he can't do that. Because, absurdly, inadequately, in spite of himself, almost, he is a representative of the hope. And the hope is not false. No. It's just that George is like a man trying to sell a real diamond for a nickel, on the street. The diamond is protected from all but the tiniest few, because the great hurrying majority can never stop to dare to believe that it could conceivably be real.

Chalmers, like many of the English writers whom he then most admired, felt a strong natural sympathy with everything French. At Rouen he imagined himself as having escaped into a world in which it was possible to speak openly and unaffectedly of all those subjects which in England must be introduced by an apology or guarded with a sneer - poetry, metaphysics, romantic love.

Waking up begins with saying am and now. That which has awoken then lies for a while staring up at the ceiling and down into itself until it has recognized I, and therefrom deduced I am, I am now. Here comes next, and is at least negatively reassuring; because here, this morning, is where it has expected to find itself: what’s called at home.

The gramophone keeps reiterating a statement about life with which I do not agree.

The prefect evening...lying down on the couch beside the bookcase and reading himself sleepy...Jim lying opposite him at the other end of the couch, also reading; the two of them absorbed in their books yet so completely aware of each other's presence.

But seriously, I believe I'm a sort of Ideal Woman, if you know what I mean. I'm the sort of woman who can take men away from their wives, but I could never keep anybody for long. And that's because I'm the type which every man imagines he wants, until he gets me; and then he finds he doesn't really, after all.

The result of the rebuilding was a maze of crooked stairways, claustrophobic passages, abrupt dangerous ramps and Alice in Wonderland doors. Most of the smaller rooms were overcrowded, under-ventilated, separated only by plywood partitions and lit by naked bulbs hanging from wires. Everything was provisional, and liable to electrocute you, fall on your head, or come apart in your hand.

The talk of pale, burning-eyed students, anarchists and utopians all, over tea and cigarettes in a locked room long past midnight, is next morning translated, with the literalness of utter innocence, into the throwing of the bomb, the shouting of the proud slogan, the dragging away of the young dreamer-doer, still smiling, to the dungeon and the firing squad.