I am staunchly opposed to presenting political opinions in mainstream comics. No manifestos from Spider-Man. The reader should be able to project themselves on these characters. That’s necessary when writing heroic escapist fiction. Superheroes are wish fulfillment characters. We want to be Superman. We hope we’re as principled as Captain America. It’s important that these characters portray only the most universal values.

I’ve seen my characters morphed into PC cyphers. But the thing is once I’m done working on them, it’s like watching your kids go off with another guy. The new daddy is here, I just don’t pay attention to it otherwise I’d be crying myself to sleep every night, so I just walk away from it and go on to new work, move forward.

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Black death has been pimped by corporations, and young people think that the street credibility is … a thing that will ride them into some kind of profitability in life.

The name “Bane” popped out at me while looking through a thesaurus to compile a list of possible names. That’s the name I kept coming back to when I thought of him and I eventually brought everyone else around to calling him that. The worry was that the name was too simple. I think that’s its charm; snappy and elegant and on-message. This guy is the bane of everyone he touches.

He’s like a pizza with the works. He’s a touch of Zorro, a dash of Dracula, a helping of the Shadow and a bunch of Sherlock Holmes all mixed together. Plus the cars and gadgets and that great hideout. You can’t miss with a combination like that. But you can’t recreate that same magic in a new character either. There’s only one Batman.

Black manhood: … the corporations [believe] they've found a way … [to] put soul in a bottle. If they can put soul in a bottle, … they can put manhood in a bottle—and then show the bottle in advertising.