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I always took myself really seriously... but sometimes I’d be at a venue and the guy would call me ‘sweetie’ or ‘honey’ when we were doing drums and stuff. I’d carry the drums in myself so people wouldn’t say I was a bitch. I went very briefly to an engineering school, so I knew the difference between white noise and pink noise and what a view meter was, and a logs player and things like that. I didn’t need to know but it came in handy when I was sitting with Steve Albini like ‘really? Is that a good logs player?’ I barely know what it is, but I learned "Smoke On The Water" so I could go to Guitar Center and play that and not have guys look at me. It was a different time—I think girls get taken a lot more seriously now.

I always said I’d never go to New York until someone pays me—because I’ve seen people come back from New York like desiccated, broken… New York is a tough place if you’re coming out of Port Authority or from Oregon, and they were paying me 356 dollars a day to be on the set [of Sid and Nancy] so that was really wonderful. Then I did Straight To Hell which went straight to video (but) then Andy Warhol noticed me from those two films. Then I got to be in Interview magazine and I got this little measure of celebrity, but with no money (laughs) that sucks… (but) it feels great if you’ve been wanting it. A lot of people like to say, ‘oh I didn’t ask for this, it just happened. I’m the luckiest guy in the world…’ I always wanted it.

I am a feminist and I’ve always thought of myself as a feminist. What I don’t like about feminism and the far left in general is the in-fighting, the way that the far left in-fights too much to get anything done and I feel like in feminism it’s like, ‘well, she’s not really feminist enough’ and there can be this kind of less-than thing in feminism. And also I think there’s a biological paradigm between men and women where men are just men and women are just women, and there is something to be said about that. But at the same time, I think equality amongst the sexes is critical.

It’s been twenty years—we didn’t even talk at [Kurt's] funeral. None of us. And so, twenty years of me getting Yoko-bashed, and Dave bashing, and me bashing and making it worse, all that shit. The legal stuff, the trial. We just buried it. It was really deep. It brings tears to my eyes to even talk about it.

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I don’t like coming to Seattle much. I talked to [Chris] Cornell about it not that long ago. And Jerry Cantrell. None of us like it. It is beautiful, objectively. The arboretum is great. But it freaks me out for obvious reasons. I didn’t really live there. I lived behind a gate. I would try to go up to [Pike Place] Market. My big expedition would be Urban Outfitters and the yoga store.

When I was fourteen, I was so bloody ugly and I thought I was Kate Moss. I chased this guy named Mark Rennie, who was the hottest photographer in Portland, around, convinced him to [take pictures of me]. I had this big schnoz, I had blusher on, I'm wearing white gloves, and I [was] making new wave faces, and, like, voguing... there was a gap in my teeth, and I was 180 pounds. So if someone calls me ugly, it sort of rolls off my back because it's not about looks, it's about attitude—you get laid on attitude.