British author (1903–1974)
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When once we have discovered how pain and suffering diminish the personality and how joy alone increases it, then the morbid attraction which is felt for evil, pain and abnormality will have lost its power. Why do we reward our men of genius, our suicides, our madmen and the generally maladjusted with the melancholy honours of a posthumous curiosity? Because we know that it is our society which has condemned these men to death and which is guilty because, out of its own ignorance and malformation, it has persecuted those who were potential saviours; smiters of the rock who might have touched the spring of healing and brought us back into harmony with ourselves. Somehow, then, and without going mad, we must learn from these madmen to reconcile fanaticism with serenity. Either one, taken alone, is disastrous, yet except through the integration of these two opposites there can be no great art and no profound happiness — and what else is worth having? For nothing can be accomplished without fanaticism and without serenity nothing can be enjoyed.
Part III: La Clé des Chants (p.103)
When even despair ceases to serve any creative purpose, then surely we are justified in suicide. For what better grounds for suicide can there be than to go on making the same series of false moves which invariably lead to the same disaster and to repeat a pattern without knowing why it is false or wherein lies the flaw? And yet to percieve that in ourselves revolves a cycle of activity which is certain to end in paralysis of the will, desertion, panic and despair - always to go on loving those who have ceased to love us, and who have quite lost all resemblance to the selves who we loved! Suicide is infectious; what if the agonies which suicide endure before they are driven to take their own life, the emotion of 'all is lost' - are infectious too?
A mutually fulfilled sexual union between two people is the rarest sensation which life can provide. But it is not quite real. It stops when the telephone rings. Such a passion can be kept at its early strength only by adding to it either more and more unhappiness (jealousy, separation, doubt, renunciation), or more and more artificiality (drink, technique, stage-illusions). Whoever has missed this has never lived, who lives for it alone is but partly alive.
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