David Foster Wallace Quotes

There is no hatred in my love for you. Only a sadness I feel all the more strongly for my inability to explain or describe it.

What if sometimes there is no choice about what to love? What if the temple comes to Mohammed? What if you just love? without deciding? You just do: you see her and in that instant are lost to sober account-keeping and cannot choose but to love?

The most dangerous thing about an academic education is that it enables my tendency to over-intellectualize stuff, to get lost in abstract thinking instead of simply paying attention to what’s going on in front of me.

To make someone an icon is to make him an abstraction, and abstractions are incapable of vital communication with living people.

In reality, there is no such thing as not voting: you either vote by voting, or you vote by staying home and tacitly doubling the value of some Diehard's vote.

He suddenly felt nothing, or rather Nothing, a pre-tornadic stillness of zero sensation, as if he were the very space he occupied.

Is it possible really to love other people? If I’m lonely and in pain, everyone outside me is potential relief — I need them. But can you really love what you need so badly? Isn’t a big part of love caring more about what the other person needs? How am I supposed to subordinate my own overwhelming need to somebody else’s needs that I can’t even feel directly? And yet if I can’t do this, I’m damned to loneliness, which I definitely don’t want … so I’m back at trying to overcome my selfishness for self-interested reasons.

To be a mass tourist, for me, is to become a pure late-date American: alien, ignorant, greedy for something you cannot ever have, disappointed in a way you can never admit. It is to spoil, by way of sheer ontology, the very unspoiledness you are there to experience, It is to impose yourself on places that in all non-economic ways would be better, realer, without you. It is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.

This is so American, man: either make something your god and cosmos and then worship it, or else kill it.

"I read,' I say. 'I study and read. I bet I've read everything you've read. Don't think I haven't. I consume libraries. I wear out spines and ROM drives. I do things like get in a taxi and say, "The library, and step on it.

"It is named the "Web" for good reason."

"Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it."

[Q&A with Larry McCaffery, Review of Contemporary Fiction, Summer 1993, Vol. 13.2]

I'm just afraid of having a tombstone that says HERE LIES A PROMISING OLD MAN.

How come she never got sad?”
She did get sad, Booboo. She got sad in her way instead of yours and
mine. She got sad, I’m pretty sure.”
Hal?”
You remember how the staff lowered the flag to half-mast out front by
the portcullis here after it happened? Do you remember that? And it
goes to half-mast every year at Convocation? Remember the flag, Boo?”
Hey Hal?”
Don’t cry, Booboo. Remember the flag only halfway up the pole?
Booboo, there are two ways to lower a flag to half-mast. Are you
listening? Because no shit I really have to sleep here in a second. So
listen - one way to lower the flag to half mast is just to lower the
flag. There’s another way though. You can also just raise the pole.
You can raise the pole to like twice its original height. You get me?
You understand what I mean, Mario?”
Hal?”
She’s plenty sad, I bet.

"Interviewer ...In the case of "American Psycho" I felt there was something more than just this desire to inflict pain — or that Ellis was being cruel the way you said serious artists need to be willing to be.

DFW: You're just displaying the sort of cynicism that lets readers be manipulated by bad writing. I think it's a kind of black cynicism about today's world that Ellis and certain others depend on for their readership. Look, if the contemporary condition is hopelessly shitty, insipid, materialistic, emotionally retarded, sadomasochistic, and stupid, then I (or any writer) can get away with slapping together stories with characters who are stupid, vapid, emotionally retarded, which is easy, because these sorts of characters require no development. With descriptions that are simply lists of brand-name consumer products. Where stupid people say insipid stuff to each other. If what's always distinguished bad writing — flat characters, a narrative world that's cliched and not recognizably human, etc. — is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it. You can defend "Psycho" as being a sort of performative digest of late-eighties social problems, but it's no more than that."