When you're an artist, you pick up on certain things that are in the air. You just feel it. It's not like you're sitting down, thinking, "What can I do to really mess things up?" You're getting ideas, and then the ideas feed into a story, and the story takes shape. And if you're honest about it and you're thinking about characters and what they do, you now see that your ideas are about trouble. You're feeling more depth, and you're describing something that is going on in some way.
American filmmaker, visual artist, musician, and actor (1946–2025)
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David is always dealing with some sort of mystery in his work,” said Isabella Rossellini, who plays Dorothy Vallens. “He once said something that really helped me understand his work. He said, ‘In life you don’t know everything. You enter a room and people are sitting there and there’s an atmosphere, and you immediately know if you have to be careful about what you say, or if you have to be loud, or silent, or subdued — you immediately know it. The thing you don’t know is what’s next. In life we don’t know where the story is going or even where a conversation is going to go in the next minute.’ David’s awareness of this is central to his films. He’s very sensitive to the mystery that surrounds everything.”2
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My childhood was elegant homes, tree-lined streets, the milkman, building backyard forts, droning airplanes, blue skies, picket fences, green grass, cherry trees. Middle America as it’s supposed to be. But on the cherry tree, there’s this pitch oozing out – some black, some yellow – and millions of red ants crawling all over it. I discovered that if one looks a little closer at this beautiful world, there are always red ants underneath.