Denise Levertov Quotes

He told of journeys, of where sun and moon go while we stand in dark, of an earth-journey he dreamed he would take some day deeper than roots ... He told of the dreams of man, wars, passions, griefs, and I, a tree, understood words – ah, it seemed my thick bark would split like a sapling's that grew too fast in the spring when a late frost wounds it.

Then as he sang it was no longer sounds only that made the music: he spoke, and as no tree listens I listened, and language came into my roots out of the earth, into my bark out of the air, into the pores of my greenest shoots gently as dew and there was no word he sang but I knew its meaning.

I was the first to see him, for I grew out on the pasture slope, beyond the forest. He was a man, it seemed. . .

I love them for finding what I can't find, and for loving me for the line I wrote, and for forgetting it so that a thousand times, till death finds them, they may discover it again, in other lines in other happenings. And for wanting to know it, for assuming there is such a secret, yes, for that most of all.

Two girls discover the secret of life in a sudden line of poetry. I who don't know the secret wrote the line.

The world is not with us enough. O taste and see.

I like the juicy stem of grass that grows
within the coarser leaf folded round,
and the butteryellow glow in the narrow flute from which the morning-glory
opens blue and cool on a hot morning.

I like to find
what's not found
at once, but lies within something of another nature,
in repose, distinct.

Acknowledgement, and celebration, of mystery probably constitutes the most consistent theme of my poetry from its very beginnings. Because it is a matter of which I am conscious, it is possible, however imprecisely, to call it an intellectual position; but it is one which emphasizes the incapacity of reason alone (much though I delight in elegant logic) to comprehend experience, and considers Imagination the chief of human faculties. It must therefore be by the exercise of that faculty that one moves toward faith, and possibly by its failure that one rejects it as delusion. Poems present their testimony as circumstantial evidences, not as closing argument. Where Wallace Stevens says, "God and the imagination are one," I would say that the imagination, which synergizes intellect, emotion and instinct, is the perceptive organ through which it is possible, though not inevitable, to experience God.

Praise the invisible sun burning beyond the white cold sky, giving us light and the chimney's shadow.

I’ve always hated artificial flowers unless they were just flagrantly and beautifully, sort of brassily, artificial. But the good imitations, the ones that you think are real until you get up to them, and then there’s that awful dead plastic, are really vile. And the reason why I think they’re so vile is because so much of the beauty of a flower is in its very perishableness. One doesn’t want it to last forever, and accumulate dust.

To leave the open fields and enter the forest, that was the rite. Knowing there was mystery, they could go. Go back now! And he receded among the multitude of forms, the twists and shadows they saw now, listening to the hum of the world's wood.

I long for poems of an inner harmony in utter contrast to the chaos in which they exist. Insofar as poetry has a social function it is to awaken sleepers by other means than shock.

I wanted
to know all the bones in your spine, all
the pores of your skin,
tendrils of body hair.
To let
all of my skin, my hands,
ankles, shoulders, breasts,
even my shadow,
be forever imprinted
with whatever of you
is forever unknown of me.

Words taken
by lips, tongue, teeth, throat,
down into body’s
caverns, to enter
blood, bone, breath,