Derek Walcott Quotes

I do not live in you, I bear
my house inside me, everywhere

until your winters grow more kind
by the dancing firelight of mind

where knobs of brass do not exist
whose doors dissolve in tenderness

House that lets in, at last, those fears
that are its guests, to sit on chairs

feasts on their human faces, and
takes pity simply by the hand

shows her her room, and feels the hum
of wood and brick becoming home.

العين النّهمة تفترس المشهد البحري رغبة
في إبحارٍ ضئيل

What are men? Children who doubt.

No masterpieces in huge frames to worship, … and yet there are the days when every street corner rounds itself into a sunlit surprise, a painting or a phrase, canoes drawn up by the market, the harbour’s blue, the barracks. So much to do still, all of it praise.

The classics can console. But not enough.

In the Village

III

Who has removed the typewriter from my desk,
so that I am a musician without his piano
with emptiness ahead as clear and grotesque
as another spring? My veins bud, and I am so
full of poems, a wastebasket of black wire.
The notes outside are visible; sparrows will
line antennae like staves, the way springs were,
but the roofs are cold and the great grey river
where a liner glides, huge as a winter hill,
moves imperceptibly like the accumulating
years. I have no reason to forgive her
for what I brought on myself. I am past hating,
past the longing for Italy where blowing snow
absolves and whitens a kneeling mountain range
outside Milan. Through glass, I am waiting
for the sound of a bird to unhinge the beginning
of spring, but my hands, my work, feel strange
without the rusty music of my machine. No words
for the Arctic liner moving down the Hudson, for the mange
of old snow moulting from the roofs. No poems. No birds.

Here is where a real fresco should be painted, one without importance, but one with real faith, mapless, Historyless.

History was fact,
History was a cannon, not a lizard; De Grasse

leaving Martinique, and Rodney crouching to act
in the right wind. Iounalo, my royal arse!
Hewanorra, my hole! Was the greatest battle

in naval history, which put the French to rout,
fought for a creature with a disposable tail
and elbows like a goalie?

… the truest writers are those who see language not as a linguistic process but as a living element…

Let them run ahead. Then I’ll have good reason for shooting them down. Sharpeville? Attempting to escape. Attempting to escape from the prison of their lives. That’s the most dangerous crime. It brings about revolution. So, off we go, lads!

Today is Thursday, Vallejo is dying,
but come, girl, get your raincoat, let's look for life
in some cafe behind tear-streaked windows,
perhaps the fin de siecle isn't really finished,
maybe there's a piano playing it somewhere

Caribbean culture is not evolving but already shaped. Its proportions are not to be measured by the traveller or the exile, but by its own citizenry and architecture. To be told you are not yet a city or a culture requires this response. I am not your city or your culture.

A Far Cry From Africa

A wind is ruffling the tawny pelt
Of Africa. Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
“Waste no compassion on these separate dead!”
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?

Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilization’s dawn
From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum,
While he calls courage still that native dread
Of the white peace contracted by the dead.

Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?

Summer for prose and lemons, for nakedness and languor,
for the eternal idleness of the imagined return,
for rare flutes and bare feet, and the August bedroom of tangled sheets.

Love After Love
all your life, whom you have ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.

Sit. Feast on your life.