American Modernist writer, poet and artist (1892-1982)
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The wise men say that the remembrance of things past is all that we have for the future, and am I to blame if I've turned up this time as I shouldn't have been, when it was a high soprano I wanted, and deep corn curls to my bum, with a womb as of a fishing schooner? And what do I get but a face on me like an old child's bottom - is that happiness, do you think?
THE MAN: What was it she said, ‘Everything we are denied lives in us, and some day I’ll kill all my life that lives in other things only.’ [He begins to weep softly.] And it’s music will be looking for its song, now she’s dead, and it’s many an eve will come down without color, now she’s no more. Come, let us to the funeral.
Listen! Do things look in the ten and twelve of noon look as they do in the dark? Is the hand, the face, the foot, the same face and hand and foot seen by the sun? For now the hand lies in a shadow; its beauties and its deformities are in a smoke - there is a sickle of doubt across the cheek bone thrown by the hat's brim, so there is half a face to be peered back into speculation. A leaf of darkness has fallen under the chin and lies deep upon the arches of the eyes; the eyes themselves have changed their colour. The very mother's head you swore by in the dock is a heavier head, crowned with ponderable hair.
There goes the dismantled — Love has fallen off her wall. A religious woman,” he thought to himself, “without the joy and safety of the Catholic faith, which at a pinch covers up the spots on the wall when the family portraits take a slide; take that safety from a woman,” he said to himself, quickening his step to follow her, “and love gets loose and into the rafters. She sees her everywhere,” he added, glancing at Nora as she passed into the dark. “Out looking for what she’s afraid to find — Robin. There goes mother of mischief, running about, trying to get the world home.