Donald Barthelme Quotes

Self-criticism sessions were held, but these produced more criticism than could usefully be absorbed or accomodated.

Where is my daddy? asked the emerald. My da? Moll dropped a glass, which shattered. Your father. Yes, said the emerald, amn’t I supposed to have one? He’s not here. Noticed that, said the emerald. I’m never sure what you know and what you don’t know. I ask in true perplexity. He was Deus Lunus. The moon god. Sometimes thought of as the man in the moon. Bosh! said the emerald. I don’t believe it. Do you believe I’m your mother? I do. Do you believe you’re an emerald? I am an emerald. Used to be, said Moll, women wouldn’t drink from a glass into which the moon had shone. For fear of getting knocked up. Surely this is a superstition? Hoo, hoo, said Moll. I like superstition. I thought the moon was female. Don’t be culture-bound. It’s been female in some cultures at some times, and in others, not. What did it feel like? The experience. Not a proper subject for discussion with a child. The emerald sulking. Green looks here and there. Well it wasn’t the worst. Wasn’t the worst. I had an orgasm that lasted three hours. I judge that not the worst.

Sometimes I see signs on walls saying Kill the Rich," Clem said. "And sometimes Kill the Rich has been crossed out and Harm the Rich written underneath. A clear gain for civilization I would say. And the one that says Jean-Paul Sartre Is a Fartre. Something going on there, you must admit. Dim flicker of something. ...

—On the dedication page of the rebellion, we see the words “To Clementine”. A fine sentiment, miscellaneous organ music next, and, turning several pages, massed orange flags at the head of the column. This will not be easy, but neither will it be hard. Good will is everywhere, and the lighthearted song of the gondoliers is heard in the distance. —Yes, success is everything. Morally important as well as useful in a practical way. —What have the rebels captured thus far? One zoo, not our best zoo, and a cemetery. The rebels have entered the cages of the tamer animals and are playing with them, gently. —Things can get better, and in my opinion will. —Their Graves Registration procedures are scrupulous—accurate and fair. —There’s more to it than playing guitars and clapping along. Although that frequently gets people in the mood. —Their methods are direct, not subtle. Dissolution, leaching, sandblasting, cracking and melting of fireproof doors, condemnation, water damage, slide presentations, clamps and buckles. —And skepticism, although absolutely necessary, leads to not very much.

The ultimate meaning of the angry young man is not known. What is known is the shape of his greatest fear—that all of his efforts, from learning to speak to learning to write, to write well, to write badly, to write angrily, from learning to despise to learning to abominate, to abominate well, to abominate badly, to abominate abominably, to rant, to fulminate, to shout down the sea, to age, to age graefully, to age awkwardly, to age at all, to think, to regret, to list himself in the newspapers under “Lost and Found”, might culminate precisely in this: a roaring, raging, crazy mad passionate bibliography.

How does one conquer fear, Don B.?" "One takes a frog and sews it to one's shoe," he said. "The left or the right?" Don B. gave me a pitying look. "Well, you'd look mighty funny going down the street with only one frog sewed to your shoes, wouldn't you?" he said. "One frog on each shoe.

The distinction between children and adults, while probably useful for some purposes, is at bottom a specious one, I feel. There are only individual egos, crazy for love.

The actors feel that the music played before the curtain rises will put the audience in the wrong mood. The playwright suggests that the (purposefully lugubrious) music be played at twice-speed. This peps it up somewhat while retaining its essentially dark and gloomy character. The actors listen carefully, and are pleased.

We like books that have a lot of dreck in them, matter which presents itself as not wholly relevant (or indeed, at all relevant) but which, carefully attended to, can supply a kind of “sense” of what is going on. This “sense” is not to be obtained by reading between the lines (for there is nothing there, in those white spaces) but by reading the lines themselves—looking at them and so arriving at a feeling not of satisfaction exactly, that is too much to expect, but of having read them, of having “completed” them.

—There’s a thing the children say. —What do the children say? —They say: Will you always love me? —Always. —Will you always remember me? —Always. —Will you remember me a year from now? —Yes, I will. —Will you remember me two years from now? —Yes, I will. —Will you remember me five years from now? —Yes, I will. —Knock, knock. —Who’s there? —You see?

Oh, there is nothing better than intelligent conversation except thrashing about in bed with a naked girl and Egmont Light Italic.

True dragons are Danish and speak Danish, a tongue that the Danes themselves describe as less a language than a throat disease. To attract a dragon, one chains a naked maiden to a rock. The maiden must be chained to the rock in such a way that every part of her is visible to the dragon. Many famous paintings demonstrate the technique; Ingres's Angelica Saved by Ruggiero is an example. After the dragon has inspected your maiden to its heart's content, you issue one of the conventional formal challenges, in Danish—'Jeg udfordre dig til ridderlig camp' is the way one usually puts it—and then the fight begins.

Shouldness is being flouted here," said Launcelot. "Shouldness is perhaps self-explanatory, but I have never seen it adequately dealt with, either in print or in the lecture hall. When that huntress got me in the bum with an arrow, it was an offense to shouldness. It shouldn't have gone that way. I told the story to Sir Roger, and now he never tires of telling it, tells it to everyone who comes down the pike. That a knight of the Round Table could be pierced in that way by a female has a significance quite apart from the ludicrous. It's in the realm of those things which should not happen—a category which holds much philosophical interest, as anyone who has ever looked into anomaletics will recognize. The insult to my dignity was not nearly so grave as the insult to shouldness.

No man's plenum, Mr. Quistgaard, is impervious to the awl of God's will.

Who among us is not thinking about divorce, except for a few tiny-minded stick-in-the-muds who don’t count?