British science fiction writer and humorist (1952–2001)
Douglas Noel Adams (11 March 1952 – 11 May 2001) was an English author and satirist, best known for his The Hitchhiker's Guide to the Galaxy scripts and books.
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If the Universe came to an end every time there was some uncertainty about what had happened in it, it would never have got beyond the first picosecond. And many of course don't. It's like a human body, you see. A few cuts and bruises here and there don't hurt it. Not even major surgery if it's done properly. Paradoxes are just the scar tissue. Time and space heal themselves up around them and people simply remember a version of events which makes as much sense as they require it to make.
It was a couple of days before Kate Schechter became aware of any of these things, or indeed of anything at all in the outside world.
She passed the time quietly in a world of her own in which she was surrounded as far as the eye could see with old cabin trunks full of past memories in which she rummaged with great curiosity, and sometimes bewilderment. Or, at least, about a tenth of the cabin trunks were full of vivid, and often painful or uncomfortable memories of her past life; the other nine-tenths were full of penguins, which surprised her. Insofar as she recognised at all that she was dreaming, she realised that she must be exploring her own subconscious mind. She had heard it said that humans are supposed only to use about a tenth of their brains, and that no one was very clear what the other nine-tenths were for, but she had certainly never heard it suggested that they were used for storing penguins.
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"Thank you. Since we decided a few weeks ago to adopt the leaf as legal tender, we have, of course, all become immensely rich. [...]
"But we have also," continued the management consultant, "run into a small inflation problem on account of the high level of leaf availability, which means that, I gather, the current going rate has something like three deciduous forests buying on ship's peanut." [...]
"So in order to obviate this problem," he continued, "and effectively revalue the leaf, we are about to embark on a massive defoliation campaign, and...er, burn down all the forests. I think you'll all agree that's a sensible move under the circumstances.
You barbarians!' he yelled. 'I'll sue the council for every penny it's got! I'll have you hung, drawn and quartered! And whipped! And boiled...until...until...until...until you've had enough.'
Ford was running after him. Very very fast.
'And then I will do it again!' yelled Arthur, 'And when I've finished I will take all the little bits, and I will jump on them!
The room was not a room to elevate the soul. Louis XIV, to pick a name at random, would not have liked it, would have found it not sunny enough, and insufficiently full of mirrors. He would have desired someone to pick up the socks, put the records away, and maybe burn the place down. Michelangelo would have been distressed by its proportions, which were neither lofty nor shaped by any noticeable inner harmony or symmetry, other than that all parts of the room were pretty much equally full of old coffee mugs, shoes and brimming ashtrays, most of which were sharing their tasks with each other. The walls were painted in almost precisely that shade of green which Rafaello Sanzio would have bitten off his own right hand at the wrist rather than use, and Hercules, on seeing the room, would probably have returned half an hour later armed with a navigable river.
"In Santa Barbara they stopped at a fish restaurant in what seemed to be a converted warehouse.
Fenchurch had red mullet and said it was delicious.
Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her.
"Why's this fish so bloody good?" he demanded, angrily.
"Please excuse my friend," said Fenchurch to the startled waitress. "I think he's having a nice day at last.
"It can hardly be a coincidence that no language on Earth has ever produced the expression "as pretty as an airport". Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (...) and the architects have on the whole tried to reflect this in their designs.
They have sought to highlight the tiredness and crossness motif with brutal shapes and nerve jangling colours, to make effortless the business of separating the traveller from his or her luggage or loved ones, to confuse the traveller with arrows that appear to point at the windows, distant tie racks, or the current position of the Ursa Minor in the night sky, and wherever possible to expose the plumbing on the grounds that it is functional, and conceal the location of the departure gates, presumably on the grounds that they are not".
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