He had said it bravely, and that is why one can trust Beethoven when he says other things.

Margaret realized the chaotic nature of our daily life, and its difference from the orderly sequence that has been fabricated by historians. Actual life is full of false clues and sign-posts that lead nowhere. With infinite effort we nerve ourselves for a crisis that never comes. The most successful career must show a waste of strength that might have removed mountains, and the most unsuccessful is no that of a man who is taken unprepared, but of him who has prepared and is never taken. On a tragedy of that kind our national morality is duly silent. It assumes that preparation against danger is in itself a good, and that men, like nations, are the better for staggering through life fully armed. The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.

Most of life is so dull that there is nothing to be said about it, and the books and talks that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend. There are periods in the most thrilling day during which nothing happens, and though we continue to exclaim, “I do enjoy myself", or , “I am horrified,” we are insincere.

You care for me a little bit, I do think, but I can't hang all my life on a little bit.

All this fame and money, which have so thrilled me when they came to others, leave me cold when they come to me. I am not an ascetic, but I don't know what to do with them, and my daily life has never been so trying, and there is no one to fill it emotionally.

There was something better in life than this rub­bish, if only he could get to it — love — nobility — big spaces where passion clasped peace, spaces no science could reach, but they existed for ever, full of woods some of them, and arched with majestic sky and a friend. . .

If human nature does alter it will be because individuals manage to look at themselves in a new way. Here and there people — a very few people, but a few novelists are among them — are trying to do this. Every institution and vested interest is against such a search: organized religion, the state, the family in its economic aspect, have nothing to gain, and it is only when outward prohibitions weaken that it can proceed: history conditions it to that extent.

She only felt that the candle would burn better, the packing go easier, the world be happier, if she could give and receive some human love.

Most of us will be eclectics to this side or that according to our temperament. The human mind is not a dignified organ, and I do not see how we can exercise it sincerely except through eclecticism. And the only advice I would offer my fellow eclectics is: "Do not be proud of your inconsistency. It is a pity, it is a pity that we should be equipped like this. It is a pity that Man cannot be at the same time impressive and truthful."

A mirror does not develop because an historical pageant passes in front of it. It only develops when it gets a fresh coat of quicksilver — in other words, when it acquires new sensitiveness; and the novel's success lies in its own sensitiveness, not in the success of its subject matter.

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He only stopped once, to pick her some great blue violets. She thanked him with real pleasure. In the company of this common man the world was beautiful and direct. For the first time she felt the influence of spring. His arm swept the horizon gracefully; violets, like other things, existed in great profusion there; would she like to see them?
'Ma buoni uomini.'
He bowed. Certainly. Good men first, violets afterwards.