Edgar Allan Poe Quotes

but it is a trait in the perversity of human nature to reject the obvious and the ready, for the far-distant and equivocal.

Misery is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, — as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? — from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.

"That is another of your odd notions," said the Prefect, who had a fashion of calling every thing "odd" that was beyond his comprehension, and thus lived amid an absolute legion of "oddities."

To Helen

I saw thee once-once only-years ago;
I must not say how many-but not many.
It was a july midnight; and from out
A full-orbed moon, that, like thine own soul, soaring,
Sought a precipitate pathway up through heaven,
There fell a silvery-silken veil of light,
With quietude, and sultriness, and slumber
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on tiptoe-
Fell on the upturn'd faces of these roses
That gave out, in return for the love-light
Thier odorous souls in an ecstatic death-
Fell on the upturn'd faces of these roses
That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.

Clad all in white, upon a violet bank
I saw thee half reclining; while the moon
Fell on the upturn'd faces of the roses
And on thine own, upturn'd-alas, in sorrow!

Was it not Fate that, on this july midnight-
Was it not Fate (whose name is also sorrow)
That bade me pause before that garden-gate,
To breathe the incense of those slumbering roses?
No footstep stirred; the hated world all slept,
Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)
Save only thee and me. I paused- I looked-
And in an instant all things disappeared.
(Ah, bear in mind this garden was enchanted!)

The pearly lustre of the moon went out;
The mossy banks and the meandering paths,
The happy flowers and the repining trees,
Were seen no more: the very roses' odors
Died in the arms of the adoring airs.
All- all expired save thee- save less than thou:
Save only the divine light in thine eyes-
Save but the soul in thine uplifted eyes.
I saw but them- they were the world to me.
I saw but them- saw only them for hours-
Saw only them until the moon went down.
What wild heart-histories seemed to lie enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a hope!
How silently serene a sea of pride!
How daring an ambition!yet how deep-
How fathomless

And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.

I found him well educated, with unusual powers of mind, but infected with misanthropy, and subject to perverse moods of alternate enthusiasm and melancholy.

From childhood's hour I have not been
As others were; I have not seen
As others saw

The idea of God, infinity, or spirit stands for the possible attempt at an impossible conception.

This—all this—was in the olden
Time long ago.

I would define, in brief, the poetry of words as the rhythmical creation of beauty.

"THOU wast all that to me, love,
For which my soul did pine:
A green isle in the sea, love,
A fountain and a shrine
All wreathed with fairy fruits and flowers,
And all the flowers were mine.

Ah, dream too bright to last!
Ah, starry Hope, that didst arise
But to be overcast!
A voice from out the Future cries,
"On! on!" — but o'er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast.

For, alas! alas! with me
The light of Life is o'er!
No more — no more — no more — (Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree,
Or the stricken eagle soar.

And all my days are trances,
And all my nightly dreams
Are where thy gray eye glances,
And where thy footstep gleams — In what ethereal dances,
By what eternal streams."

"O, Times! O, Manners! It is my opinion
That you are changing sadly your dominion
I mean the reign of manners hath long ceased,
For men have none at all, or bad at least;
And as for times, altho' 'tis said by many
The "good old times" were far the worst of any,
Of which sound Doctrine I believe each tittle
Yet still I think these worst a little.

I've been a thinking -isn't that the phrase?-
I like your Yankee words and Yankee ways -
I've been a thinking, whether it were best
To Take things seriously, Or all in jest"

I have not only labored solely for the benefit of others (receiving for myself a miserable pittance), but have been forced to model my thoughts at the will of men whose imbecility was evident to all but themselves

And if I died, at least I died
For thee! for thee

There neither exists nor can exist any work more thoroughly dignified — more supremely noble than this very poem — this poem per se — this poem which is a poem and nothing more — this poem written solely for the poem's sake.