Painting is easy when you don't know how, but very difficult when you do.

In our beginnings, Fantin, Whistler and I were all on the same road, the road from Holland [Dutch 17th century painters]

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I always suspect an artist who is successful before he is dead.

Oh! Women can never forgive me. They hate me, they can feel that I ‘m disarming them. I show them without their coquetry, in the states of animals cleaning themselves... ...I'm sure of it; they see me as the enemy. Fortunately, since if they did like me, that would be the end of me.

If I were the government I would have a special brigade of gendarmes to keep an eye on artists who paint landscapes from nature. Oh, I don't mean to kill anyone; just a little dose of bird-shot now and then as a warning.

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[make drawings of] series of instruments and players; their shapes, twisting of the hands, arms and neck of the violinist; for example, puffing out and hollowing of the cheeks of bassoonists, oboists, etc..

An artist is a deception.. ..an artist is only an artist at certain times, by an effort of will.. ..the study of nature is a cliché; isn't Manet the living proof? For although he prided himself on slavishly copying nature, he was the most inadequate painter in the world, not making a single brushstroke without reference to the old masters; for instance, he refrained from drawing fingernails because Frans Hals did not draw them.

I will not admit that a woman can draw like that.

I assure you no art was ever less spontaneous than mine. What I do is the result of reflection and study of the great masters; of inspiration, spontaneity, temperament — temperament is the word — I know nothing.

And even this heart of mine has something artificial. The dancers have sewn it into a bag of pink satin, pink satin slightly faded, like their dancing shoes.

Anyone would think paintings were made like speculations on the stock market, out of the frictions of ambitious young people... ...it sharpens the mind, but clouds your judgement.