French Impressionist artist (1834–1917)
Edgar Degas (19 July 1834 – 27 September 1917), was a French painter, print-maker and sculptor. He was moreover an active organizer of several Impressionist exhibitions, but never painted 'plain air' himself.
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Alternative Names:
Hilaire Germain Edgar de Gas
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Ėdgar Dega
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Edgar Germain Hilaire Degas
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Edgar Dega
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Hilarie Germain Edgar Degas
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H. G. E. Degas
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E. Degas
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Hilaire Germain Degas
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hilaire germain edgar degas
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Te-chia
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degas edgar
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Edgar Hilaire Germain Degas
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h.g.e. degas
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edgar hilaire germain degas
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h.e.g. degas
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Hilaire-Germain-Edgar De Gas
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hilaire degas
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Jilaira Germain Edgar Degas
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hilaire german edgar degas
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Hilaire-Germain-Edgar Degas
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Hilaire Germain Edgar Degas
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jilaire germain edgar degas degas
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Hilaire Germain Edgar Degas Degas
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degas e.
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degas h.g.e.
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hilaire germaine edgar degas
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Degas
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e. degas
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Hillaire germaine edgar degas
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Hilaire Germain Edgar De Gas
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edgar hillaire germaine degas
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Edgar (Hilaire Germain) Degas
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Visitor: Monsieur Degas, were there any of Monet's pictures at the Durand-Ruel exhibition?
Degas: Why, I met Monet himself there, and I said to him, 'Let me get out of here. Those reflections in the water hurt my eyes!' His pictures were always too draughty for me. If it had been any worse I should have had to turn up my coat collar.
pinkish and bluish draperies on neutral grey grounds and black cypresses... ...The red of Jeptha's dress... ...some reddish brown, some slightly pinkish... ...Graduated blue sky... ...the ground at the front a grey violet shadow... Look for some turquoise in the blue.(Degas' working note about choosing colors for his future painting 'The Daughter of Jeptha')
I remember a story my father used to tell. As he was coming home one day, he ran across a group of men who were firing on the troops from an ambush. During the excitement a daring onlooker went up to one of the snipers who seemed to be a poor marksman. He took the man's gun and brought down a soldier, then handed it back to its owner who motioned as if to say, 'No, go on. You're a better shot than I am.' But the stranger said, 'No, I'm not interested in politics.'
Poor Gauguin, 'way off there on his island! I'll wager he spends most of his time thinking of Rue Lafitte. I advised him to go to New Orleans, but he decided it was too civilized. He had to have people around him with flowers on their heads and rings in their noses before he could feel at home. Now if I should leave my house for more than two days...
In the office there are about fifteen people whose attention is directed toward a table covered with the costly fabric [raw cotton]; one man is bent over the table and another is sort of seating on it – the buyer and the broker are discussing a sample. A painting of a vernacular subject, if there is such a thing, and I think by a better hand than most others (a size 40 canvas, I think). I'm planning another less complicated and more surprising yet, better art, in which everyone is in summer dress, the walls white, and a sea of cotton on the tables. (translation based on M. Kay's, in M. Gérin [ed.] and M. Kay, transl. 'Degas letters', Oxford, 1947, pp. 29-30, no. 2