Edmund White Quotes

Biography can be the most middle-class of all forms, the judgment of little people avenging themselves on the great. One English critic took me to task for not saying that Genet was "afraid of intimacy" all his life because he'd been abandoned by his mother at the age of seven months. All the evidence needed to make such an interpretation is in my book, but I don't myself draw the vulgar conclusion. Since most literary biographies ignore the work except for potted plot summaries, they strip the biographee of everything redeeming and leave his or her subject to this spiteful revenge, this half-baked Freudian-Christian-bourgeois moralizing.

This isn’t a banana republic. You can’t pull strings in America, pay off an official, lean on your cousin. It’s not like France or Spain – those banana republics.

There’s more to contemporary literature than American coffee-cup realism.

Precision is easier to master than artful vagueness, especially now when, thanks to Google, novels are fact-heavy. We no longer refer to “flowers” but to particular varieties of roses. The whole valuable distinction between foreground (precise) and background (blurred) has been lost, and now everything is crowding toward the viewer, clamoring for attention.

In return for the costliness and inconvenience, the squalor and discomfort of our lives, we get to participate in whatever is the latest. We are never left out of anything: we know what's happening, especially since so many of us practice what Paul Valéry called the "delirious professions." As Valéry wrote, "This is the name I give to all those trades whose main tool is one's opinion of oneself, and whose raw material is the opinion others have of you." Although Valéry was writing eighty years ago of Paris, he anticipated the excruciating position of those gay (and straight) New York "creative people" who must be perpetually original in a "population of uniques." The cruel contradiction of such a position is that the creative "live for nothing but to have, and make durable, the illusion of being the only one — for superiority is only a solitude situated at the present limits of a species." The exigencies of the drive to originality can, as Valéry understood, promote a deep uncertainty about one's personal value. If one is a product, is it new enough? Perfect? One of a kind?

Reading books for pleasure, of course, is the greatest joy. No need to underline, press on, try out mentally summarizing or evaluating phrases. One is free to read as a child reads — no duties, no goals, no responsibilities, no clock ticking: pure rapture.

There is no greater pleasure than to lie between clean sheets, listen to music, and read under a strong light.

Despite my fears and my aching loneliness, I believed without a doubt in a better world, which was adulthood or New York or Paris or love.

So,” he said. “What’s the difference between me and a whore?” He swallowed. “Am I a whore?”
“No more than every married woman.

They’re drunk now,” Guy said, “and optimistic, but they will soon be squabbling over household expenses and hoping they’ll find love later in the Meat Rack. They’ll be arguing. ‘Why did you buy that expensive leg of lamb?’ And they become especially cross at the beginning of September when they realise the season is over and they’ve danced their tushes off and fucked a lot in the bushes, but, hey, they haven’t bagged a beau for the winter and they’ve maxed out their credit cards.

Love is a source of anxiety until it is a source of boredom; only friendship feeds the spirit.

I could certainly subscribe to the notion that life ends in old age, sickness, and death — but later, later.

I still feel like a young girl, as though everything is about to happen.

I was aware of the treacherous air vents above us, conducting the sounds we were making upstairs. Maybe dad was listening. Or maybe, just like Kevin, he was unaware of anything but the pleasure spurting up out of his body and into mine.

I saw that the anger and hauteur of the past, which I’d accepted without interpreting, had been merely a counterpart to his isolation and the terrible shame he’d felt about the way he looked. If he couldn’t participate in the festivities of friendship and romance, then he’d burn the tents and poison the wells.