British musician
Eric Patrick Clapton, CBE (born 30 March 1945), is an English rock and blues guitarist, singer, and songwriter. He is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist and separately as a member of the Yardbirds and of Cream. He was also part of the bands Blind Faith and Derek and the Dominos.
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There were too many Cream and Traffic fans around for that, and the truth is we didn’t really know or care which we were. Looking back, I realize that from the start I knew that this was not what I really wanted to do, but I was lazy. Instead of putting more time and effort into making the band into what I thought it ought to be, I opted instead for the laid-back approach, which was just to look for something else that already had an identity.
The only prewritten songs I had ready were “Circus” and “My Father’s Eyes,” neither of which seemed to have found their right incarnation yet. For almost a year we worked day and night, sometimes just perfecting little guitar motifs, or honing and reshaping tracks with the Pro Tools system that Simon is a master of. The result was one of my favorite albums; I poured my soul into this one, and I believe you can hear that.
When we arrived in Toronto it was raining, and we were standing around waiting for the luggage when a huge limo rolled up, and John and Yoko jumped into it and drove away, leaving the rest of us standing there without a clue as to what to do next. “Well, that’s nice,” I thought. In the end we got in the van with the luggage, which I deemed a bit sad, as I felt we deserved a little more respect than that.
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One night we were sitting in the great room at Hurtwood when he said, “Well, I suppose I’d better divorce her,” to which I replied, “Well, if you divorce her, then that means I’ve got to marry her!” It was like a scene from a Woody Allen film. Over the years, our relationship developed into a sort of cagey brotherliness, with him, of course, being the elder brother. There was no doubt that we loved one another, but when we actually got together it could get quite competitive and tense, and I very rarely got the last word.
What I would do was use the bridge pickup with all of the bass turned up, so the sound was very thick and on the edge of distortion. I also always used amps that would overload. I would have the amp on full, with the volume on the guitar also turned up full, so everything was on full volume and overloading. I would hit a note, hold it, and give it some vibrato with my fingers, until it sustained, and then the distortion would turn into feedback. It was all of these things, plus the distortion, that created what I suppose you could call my sound.
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We just got together onstage and played and then went our separate ways. In the end this was the undoing of the music. I think if we had been able to listen to each other, and care for one another more, then Cream might have had a chance of further life, but at that point it was beyond our grasp as individuals. We were immature and incapable of putting aside our differences. Maybe, too, a little rest now and then might have helped.