Eric Hobsbawm Quotes

History as inspiration and ideology has a built-in tendency to become self-justifying myth. Nothing is a more dangerous blindfold than this, as the history of modern nations and nationalisms demonstrates.

For where we stand in regard to the past, what the relations are between past, present and future are not only matters of vital interest to all: they are quite indispensable. We cannot help situating ourselves in the continuum of our own life, of the family and group to which we belong. We cannot help comparing past and present: that is what family photo albums or home movies are there for. We cannot help learning from it, for that is what experience means. We may learn the wrong things - and plainly we often do - but if we don't learn, or have had no chance of learning, or refuse to learn from whatever past is relevant for our purpose, we are, in the extreme case, mentally abnormal.

It is easier to formulate questions than answers, and this paper has taken the easier way rather than the more difficult. And yet, perhaps to ask questions, especially about the experiences we tend to take for granted, is not a valueless occupation. We swim in the past as fish do in water, and cannot escape from it. But our modes of living and moving in this medium require analysis and discussion. My object has been to stimulate both.

The past is therefore a permanent dimension of the human consciousness, an inevitable component of the institutions, values and other patterns of human society. The problem for historians is to analyse the nature of this 'sense of the past' in society and to trace its changes and transformations.

These and many other attempts to replace history by myth and invention are not merely bad intellectual jokes. After all, they can determine what goes into schoolbooks, as the Japanese authorities knew, when they insisted on a sanitized version of the Japanese war in China for use in Japanese classrooms. Myth and invention are essential to the politics of identity by which groups of people today, defining themselves by ethnicity, religion or the past or present borders of states, try to find some certainty in an uncertain and shaking world by saying, 'We are different from and better than the Others.'

It was the tragedy of modernist artists, Left or Right, that the much more effective political commitment of their own mass movements and politicians - not to mention their adversaries - rejected them. With the partial exception of Futurist-influenced Italian fascism, the new authoritarian regimes of both Right and Left preferred old-fashioned and gigantic monumental buildings and vistas in architecture, inspirational representations in both painting and sculpture, elaborate performances of the classics on stage, and ideological acceptability in literature.

The art most significantly affected by radio was music, since it was abolished the acoustic or mechanical limitations on the range of sounds. Music, the last of the arts to break out of the bodily prison that confines oral communication, had already entered the era of mechanical production before 1914 with the gramophone, although this was hardly yet within reach of the masses

Surrealism was a genuine addition to the repertoire of avant-garde arts, its novelty attested by the ability to produce shock, incomprehension, or what amounted to the same thing, a sometimes, embarrassed laughter, even among the older avant-garde.

The greatest cruelties of our century have been the impersonal cruelties of remote decision, of system and routine, especially when they could be justified as regrettable operational necessity.

Communism as an ideology had been passionately committed to women's equality and liberation, in every sense including the erotic, in spite of Lenin's own dislike of casual sexual promiscuity. (However, both Krupskaya and Lenin were among the rare revolutionaries who specifically favored the sharing of housework between the sexes)...Yet, with rather rare exceptions...they were not prominent in the first political ranks of their parties, or indeed at all, and in the new communist-governed states they became even less visible. Indeed, women in leading political functions virtually disappeared...When women streamed into a profession opened to them, as in the U.S.S.R., where the medical profession became largely feminized in consequence, it lost status and income. As against Western feminists, most married Soviet women, long used to a lifetime of paid work, dreamed of the luxury of staying at home and doing only one job...whatever the achievements and failures of the socialist world, it did not generate specifically feminist movements,and could indeed hardly have done so, given the virtual impossibility of any political initiatives not sponsored by state and party before the mid-1980s

As I think back, I ask myself, again and again: was there an alternative to the indiscriminate , brutal, basically unplanned rush forward of the Five-Year Plan? I wish I could say there was, but I cannot. I cannot find a answer.

The tragedy of the October revolution was precisely that it could only produce its kind of ruthless, brutal, command socialism.

The old moral vocabulary of rights and duties, mutual obligations, sin and virtue, sacrifice, conscience, rewards, and penalties, could no longer be translated into the new language of desired gratification. Once such practices and institutions were no longer accepted as part of a way of ordering society that linked people to each other and ensured social cooperation and reproduction, most of their capacity to structure human social life vanished. They were reduced simply expressions of individuals' preferences, and claims that the law should recognize the supremacy of these preferences. Uncertainty and unpredictability impended. Compass needles no longer had a North, maps became useless.

The cultural revolution of the later twentieth century can thus best be understood as the triumph of the individual over society, or rather, the breaking of the threads which in the past had woven human beings into social textures. For such textures had consisted not only of the actual relations between human beings and their forms of organization but also of the general models of such relations and the texted patterns of people's behaviour towards each other; their roles were prescribed, though not always written. Hence the often traumatic insecurity when older conventions of behaviour were either overturned or lost their rationale, or the incomprehension between those who felt this loss and those too young to have known anything but anomic society.

The best approach to this cultural revolution is therefore through family and household, i.e. through the structure of relations between the secondhand generations. In most societies this had been impressively resistant to sudden change, though this does not mean that such structures were static.