" — I'm a slave to my emotions, to my likes, to my hatred of boredom, to most of my desires — —
"You are not!" She brought one little fist down onto the other. "You're a slave, a bound helpless slave to one thing in the world, your imagination.

"i'm in a muddle about a lot of things — i've just discovered that i've a mind, and i'm starting to read"
"read what?"
"everything. i have to pick and choose, of course, but mostly things that make me think."

From the ruins, lonely and inexplicable as the sphinx, rose the Empire State Building.

And just as it had been tradition of mine to climb to the Plaza roof to take leave of the beautiful city extending as far as the eyes could see, so now I went to the roof of that last and most magnificent of towers.

Then I understood. Everything was explained. I had discovered the crowning error of the city. Its Pandora's box.

Full of vaunting pride, the New Yorker had climbed here, and seen with dismay what he had never suspected. That the city was not the endless sucession of canyons that he had supposed, but that it had limits, fading out into the country on all sides into an expanse of green and blue. That alone was limitless.

And with the awful realization that New York was a city after all and not a universe, the whole shining ediface that he had reared in his mind came crashing down.

That was the gift of Alfred Smith to the citizens of New York.

If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that registered earthquakes ten thousand miles away.

We shook hands and I started away. Just before I reached the hedge I remembered something and turned around. ‘They’re a rotten crowd,’ I shouted across the lawn. ‘You’re worth the whole damn bunch put together.’ I’ve always been glad I said that. It was the only compliment I ever gave him, because I disapproved of him from beginning to end.

This is a valley of ashes — a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud, which screens their obscure operations from your sight.

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He was resentful against all those in authority over him, and this, combined with a lazy indifference toward his work, exasperated every master in school. He grew discouraged and imagined himself a pariah; took to sulking in corners and reading after lights. With a dread of being alone he attached a few friends, but since they were not among the elite of the school, he used them simply as mirrors of himself, audiences before which he might do that posing absolutely essential to him. He was unbearably lonely, desperately unhappy.

In the dead white hours in Zurich staring into a stranger's pantry across the upshine of a street-lamp, he used to think that he wanted to be good, he wanted to be kind, he wanted to be brave and wise, but it was all pretty difficult. He wanted to be loved, too, if he could fit it in.