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Do you know it is said that on the Desert of Sahara, the slope of Sorrento, and the marble of Fifth Avenue the sun can shine whitest? There is an iridescence to its glittering on bleached sand, blue bay, and Carrara façade that is sheer light distilled to its utmost.

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When the two sides of every story are told, Henry VIII may establish an alibi or two, Shylock and the public-school system meet over and melt that too, too solid pound of flesh, and Xantippe, herself the sturdier man than Socrates, give ready, lie to what is called the shrew in her.

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The Declaration of Economic Independence is not always a subtle one. There was that about Clara Bloom, even to the rather Hellenic swing of her very tailor-made back and the firm, neat clack of her not too high heels, which proclaimed that a new century had filed her fetter-free from the nine-teen-centuries-long chain of women whose pin-money had too often been blood-money or the filched shekels from trousers pocket or what in the toga corresponded thereto.

Beneath, where even in August noonday, the sun cannot find its way by a chink, and babies lie stark naked in the cavernous shade, Allen Street presents a sort of submarine and greenish gloom, as if its humanity were actually moving through a sea of aqueous shadows, faces rather bleached and shrunk from sunlessness as water can bleach and shrink.

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On either side of the Bowery, which cuts through like a drain to catch its sewage, Every Man's Land, a reeking march of humanity and humidity, steams with the excrement of seventeen languages, flung in patois from tenement windows, fire escapes, curbs, stoops, and cellars whose walls are terrible and spongy with fungi.