I abhor running real risks, but it's not because I'm afraid of feeling too intensely. It's because they break my perfect focus on my sensations, and this disturbs and depersonalizes me.

I never go where there's risk. I fear the tedium of dangers.

If a man can only write well when drunk, I'll tell him: get drunk. And if he tells me that his liver suffers with it, I'll answer: what's your liver? It's a dead thing that lives as long as you live, and the poems you'll write will live without a as long as.

I sometimes think, with a sad delight, that if one day, in a future I no longer belong to, these sentences, that I write, last with praise, I will at last have the people who understand me, those mine, the true family to be born in and be loved. [...] I will only be understood in effigy, when affection no longer repays the dead the unaffection that was, when living.

My soul is impatient with itself, as with a bothersome child; its restlessness keeps growing and is forever the same. Everything interests me, but nothing holds me. I attend to everything, dreaming all the while. […]. I'm two, and both keep their distance — Siamese twins that aren't attached.