Portuguese poet, writer, and philosopher (1888–1935); creator of the heteronymic system including Alberto Caeiro, Ricardo Reis, Álvaro de Campos, and Bernardo Soares
Fernando Pessoa (13 June 1888 – 30 November 1935) was a Portuguese poet and writer, most of whose work was published posthumously. He wrote frequently under heteronyms, alter egos with developed personalities, biographies, jobs, habits, attitudes, addresses, etc., who sometimes quoted and interacted with each other and other people.
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It sometimes occurs to me, with sad delight, that if one day (in a future I won't be part of) the sentences I write are read and admired, then at last I'll have my own kin, people who 'understand' me, my true family in which to be born and loved. But far from being born into it, I'll have already died long ago. I'll be understood only in effigy, when affection can no longer compensate for the indifference that was the dead man's lot in life.
Everything, except boredom, bores me. I'd like, without being calm, to calm down,
To take life every day
Like a medicine — One of those medicines everybody takes.
I aspired to so much, dreamed so much, That so much so much made me into nothing.
My hands grew cold
From just waiting for the enchantment
Of the love that would warm them up at last.
Cold, empty
Hands.
Original: Levo comigo a consciência da derrota como um pendão de vitória.
Original: A fraternidade tem subtilezas.
Anonymous > Quotes > Quotable Quote
"I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don't know where it will take me, because I don't know anything. I could see this inn as a prison, for I'm compelled to wait in it; I could see it as a social centre, for it's here that I meet others. But I'm neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I'm sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing – for myself alone – wispy songs I compose while waiting.
Tedium, yes, is boredom with the world, the nagging discomfort of living, the weariness of having lived; tedium is indeed the carnal sensation of endless emptiness of things. But tedium, even more than all that, is a boredom with other worlds, whether real or imaginary; the discomfort of having to keep living, albeit as someone else in some other way, in some other world; weariness not only of yesterday and today but also of tomorrow and of eternity, if such exists, or of nothingness, if that's what eternity is. It's not only the emptiness of things and living beings that troubles the soul afflicted by tedium, it's also the emptiness of the very soul that feels this vacuum, that feels itself to be this vacuum, and that within this vacuum is nauseated and repelled by its own self.