American musician (1940–1993)
"The most important thing in art is The Frame. For painting: literally; for other arts: figuratively - because, without this humble appliance, you can't know where The Art stops and The Real World begins. You have to put a 'box' around it because otherwise, what is that shit on the wall?
If John Cage, for instance, says, "I'm putting a contact microphone on my throat, and I'm going to drink carrot juice, and that's my composition," then his gurgling qualifies as his composition because he put a frame around it and said so. "Take it or leave it, I now will this to be music." After that it's a matter of taste. Without the frame-as-announced, it's a guy swallowing carrot juice."
I do not belong to your organization. I know nothing about it. I'm not even interested in it – and yet, a request has been made for me to give what purports to be a keynote speech.
Before I go on, let me warn you that I talk dirty, and that I will say things you will neither enjoy nor agree with.
You shouldn't feel threatened though, because I am a mere buffoon, and you are all Serious American Composers.
For those of you who don't know, I am also a composer. I taught myself how to do it by going to the library and listening to records. I started when I was fourteen and I've been doing it for thirty years. I don't like schools. I don't like teachers. I don't like most of the things that you believe in – and if that weren't enough, I earn a living by playing the electric guitar.
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Failure is one of those things that 'serious people' dread. Invariably, the persons most likely to be crippled by this fear are people who have convinced themselves that they are SO bitchen they shouldn't ever be placed in a situation where they might fail.
Failure is nothing to get upset about. It's a fairly normal condition; an inevitability in ninety-nine percent of all human undertakings. Success is rare — that's why people get so cranked up about it.