Frederick Buechner Quotes

We are in constant danger of being not actors in the drama of our own lives but reactors. The fragmentary nature of our experience shatters us into fragments. Instead of being whole, most of the time we are in pieces, and we see the world in pieces, full of darkness at one moment and full of light the next. It is in Jesus, of course, and in the people whose lives have been deeply touched by Jesus, and in ourselves at those moments when we also are deeply touched by him, that we see another way of being human in this world, which is the way of wholeness. When we glimpse that wholeness in others, we recognize it immediately for what it is, and the reason we recognize it, I believe, is that no matter how much the world shatters us to pieces, we carry inside us a vision of wholeness that we sense is our true home and that beckons to us. It is part of what the book of Genesis means by saying that we are made in the image of God.

It is within the bonds of marriage that I, for one, found a greater freedom to be and to become and to share myself than I can imagine ever having found in any other kind of relationship.

The storyteller's claim, I believe, is that life has meaning — that the things that happen to people happen not just by accident like leaves being blown off a tree by the wind but that there is order and purpose deep down behind them or inside them and that they are leading us not just anywhere but somewhere. The power of stories is that they are telling us that life adds up somehow, that life itself is like a story... it makes us listen to the storyteller with great intensity because in this way all his stories are about us and because it is always possible that he may give us some clue as to what the meaning of our lives is.

Vocation” comes from the Latin vocare (to call) and means the work a man is called to by God.

There are all different kinds of voices calling you to all different kinds of work, and the problem is to find out which is the voice of God rather than of society, say, or the superego, or self-interest.

The kind of work God usually calls you to is the kind of work (a) that you need to do and (b) that the world needs to have done. If you find your work rewarding, you have presumably met requirement (a), but if your work does not benefit others, the chances are you have missed requirement (b).

On the other hand, if your work does benefit others, you have probably met requirement (b), but if most of the time you are unhappy with it, the chances are you have not only bypassed (a) but probably aren’t helping your customers much either.

Neither the hair shirt nor the soft berth will do. The place God calls you to is the place where your deep gladness and the world’s hunger meet.

So we are told to love. We are told to listen. We are told to look. But a lot of the time we don’t because we choose damn well not to, and because only a saint could do it all the time, I think. You have to choose who to listen to because if you listen to everybody and you look at everybody — seeing every face the way Rembrandt saw that woman’s face — how could you make it down half a city block? You couldn’t. If you listened to what everybody says to you, how could you survive a day? But we can do more than we do — more than we do, surely we could do that.

The faces we lose track of most easily are the faces of the people who are closest to us, the people we love the most whose faces we see so often that we can't really see them anymore.

You have to suffer in order to be beautiful.

God in his unending greatness and glory and man in his unending littleness, prepared for the worst but rarely for the best, prepared for the possible but rarely for the impossible.

the story of any one of us is in some measure the story of us all

"Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound.

Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all.

Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least.

First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it.

"Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death.

In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star.

Sometimes this star

And because God's love is uncoercive and treasures our freedom - if above all he wants us to love him, then we must be left free not to love him - we are free to resist it, deny it, crucify it finally, which we do again and again. This is our terrible freedom, which love refuses to overpower so that, in this, the greatest of all powers, God's power, is itself powerless.

If I were called upon to state in a few words the essence of everything I was trying to say both as a novelist and as a preacher it would be something like this: Listen to your life. See it for the fathomless mystery that it is. In the boredom and pain of it no less than in the excitement and gladness: touch, taste, smell your way to the holy and hidden heart of it because in the last analysis all moments are key moments, and life itself is grace.

Lust is the craving for salt of a man who is dying of thirst.

Listen to your life. Listen to what happens to you because it is through what happens to you that God speaks . . . It's in language that's not always easy to decipher, but it's there, powerfully, memorably, unforgettably.

Like Adam, we have all lost Paradise; and yet we carry Paradise around inside of us in the form of a longing for, almost a memory of, a blessedness that is no more, or the dream of a blessedness that may someday be again.