One of the proofs of our immortality is that the soul − which is essentially intelligence and consciousness − cannot have an end that is beneath itself, namely matter or the mental reflections of matter; the higher cannot be merely a function of the lower, it cannot be merely a means in relation to what it surpasses. Thus it is intelligence in itself − and with it our freedom − which proves the divine scope of our nature and our destiny. Whether people understand it or not, the Absolute alone is proportionate to the essence of our intelligence.
Swiss philosopher, poet and painter (1907-1998)
Frithjof Schuon ( ; ; 18 June 1907 – 5 May 1998) was a Swiss philosopher and spiritual leader, belonging to the Traditionalist School of Perennialism. He was the author of more than twenty works in French on metaphysics, spirituality, religion, anthropology and art. He was also a painter and a poet. With René Guénon and Ananda Coomaraswamy, Schuon was one of the major 20th-century representatives of the philosophia perennis. Like them, he affirmed the reality of an absolute Principle – God – from which the universe emanates, and maintained that all divine revelations, despite their differences, possess a common essence: one and the same Truth. He also shared with them the certitude that man is potentially capable of supra-rational knowledge, and undertook a sustained critique of the modern mentality severed, according to him, from its traditional roots. Following Plato, Plotinus, Adi Shankara, Meister Eckhart, Ibn Arabī and other metaphysicians, Schuon sought to affirm the metaphysical unity between the Principle and its manifestation. Initiated by Sheikh Ahmad al-Alawī into the Sufi Shādhilī order, he founded the Tarīqa Maryamiyya. His writings emphasize the universality of metaphysical doctrine, along with the necessity of practicing a religion; he also insists on the importance of the virtues and of beauty. Schuon cultivated close relationships with a large number of personages of diverse religious and spiritual horizons. He had a particular interest in the traditions of the North American Plains Indians, maintaining firm friendships with a number of their leaders and being adopted into both a Lakota Sioux tribe and the Crow tribe. Having spent a large part of his life in France and Switzerland, at the age of 73 moved to Bloomington, Indiana, where he had a community of disciples.
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One of the keys to understanding our true nature and our ultimate destiny is the fact that the things of this world are never proportionate to the actual range of our intelligence. Our intelligence is made for the Absolute, or else it is nothing; the Absolute alone confers on our intelligence the power to accomplish to the full what it can accomplish and to be wholly what it is. Similarly, in the case of the will, which is no more than a prolongation or complement of the intelligence: the objects it commonly sets out to achieve, or those that life imposes on it, do not measure up to the fullness of its range; only the "divine dimension" can satisfy the thirst for plenitude in our willing or our love.
It has been said that man is a rational animal; while this formulation is insufficient and ill-sounding, it nonetheless points to an undeniable truth, though in an elliptical fashion, for the rational faculty actually serves to underscore the transcendence of man in relation to the animal. Man is rational because he possesses the Intellect, which by definition has a capacity for the absolute and therefore a sense of the relative; and he possesses the Intellect because he is made "in the image of God", which, moreover, he demonstrates physically by his corporeal form and his cranial form, as well as by his vertical posture, then by language and his productive capacity. Man is a theophany in his form as much as in his faculties.
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Man is a divine manifestation, not in his accidentality and his fallen state, but in his theomorphism and his primordial and principial perfection. He is the "field of manifestation" of the intellect, which reflects the universal Spirit and thereby the divine Intellect; man as such reflects the cosmic totality, the Creation, and thereby the Being of God.
It is in man’s theomorphic nature that in his capacity as man and in God’s creative intention, he cannot be something fragmentary or incomplete − which cuts short the absurdities of transformist evolution − thus that he must be something which is everything, and would be nothing if it were not everything; and it is in this sense that it has been said that man’s fundamental vocation is to "become what he is".
To say that man is "made in the image of God" means that he represents a central and not a peripheral subjectivity, and consequently a subject which, emanating directly from the Divine Intellect, participates in principle in the power of the latter; man can know all that is real, hence knowable, otherwise he would not be that earthly divinity which in fact he is.
A classic example of a naive dogma is the Biblical story of creation, followed by that of the first human couple: if we are skeptical, we balk at the childishness of the literal meaning; but if we are intuitive − as every man ought to be − we will be sensitive to the irrefutable truths of the images; we feel that we bear these images within ourselves, that they have a universal and timeless validity. The same observation applies to myths and even to fairy tales: in describing principles − or situations − concerning the universe, they describe at the same time psychological and spiritual realities of the soul; and in this sense it can be said that the symbolisms of religion or of popular tradition are a part of our common experience, both on the surface and in depth.
One must not tire of affirming this: the origin of a creature is not a substance of a material kind, it is a perfect and non-material archetype: perfect, therefore without any need of a transformative evolution; non-material, therefore having its origin in the Spirit, not in matter. Assuredly, there is a trajectory; but this proceeds not from an inert and unconscious substance, but from the Spirit − the matrix of all possibilities − to the earthly result, the creature; and this result issued from the invisible at a cyclic moment when the physical world was still far less separate from the psychic world than in later and progressively more "hardened" periods. When one speaks traditionally of creatio ex nihilo, what is meant, on the one hand, is that creatures do not derive from a pre-existing matter and, on the other, that the "incarnation" of possibilities cannot in any way affect the immutable plenitude of the Principle.
Original man was not a simian creature barely capable of speaking and standing upright; he was a quasi-immaterial being enclosed in an aura still celestial, but deposited on earth; an aura similar to the "chariot of fire" of Elijah or the "cloud" that enveloped Christ during his ascension. That is to say, our conception of the origin of mankind is based on the doctrine of the projection of the archetypes ab intra; thus our position is that of classical emanationism – in the Neoplatonic or gnostic sense of the term – which avoids the pitfall of anthropomorphism while agreeing with the theological conception of creatio ex nihilo. Evolutionism, for its part, is the very negation of the archetypes and consequently of the divine Intellect; it is therefore the negation of an entire dimension of the real, namely that of form, of the static, of the immutable; concretely speaking, it is as if one wished to make a fabric of the wefts only, omitting the warps.