Frithjof Schuon Quotes

Swiss philosopher, poet and painter (1907-1998)

Frithjof Schuon ( ; ; 18 June 1907 – 5 May 1998) was a Swiss philosopher and spiritual leader, belonging to the Traditionalist School of Perennialism. He was the author of more than twenty works in French on metaphysics, spirituality, religion, anthropology and art. He was also a painter and a poet. With René Guénon and Ananda Coomaraswamy, Schuon was one of the major 20th-century representatives of the philosophia perennis. Like them, he affirmed the reality of an absolute Principle – God – from which the universe emanates, and maintained that all divine revelations, despite their differences, possess a common essence: one and the same Truth. He also shared with them the certitude that man is potentially capable of supra-rational knowledge, and undertook a sustained critique of the modern mentality severed, according to him, from its traditional roots. Following Plato, Plotinus, Adi Shankara, Meister Eckhart, Ibn Arabī and other metaphysicians, Schuon sought to affirm the metaphysical unity between the Principle and its manifestation. Initiated by Sheikh Ahmad al-Alawī into the Sufi Shādhilī order, he founded the Tarīqa Maryamiyya. His writings emphasize the universality of metaphysical doctrine, along with the necessity of practicing a religion; he also insists on the importance of the virtues and of beauty. Schuon cultivated close relationships with a large number of personages of diverse religious and spiritual horizons. He had a particular interest in the traditions of the North American Plains Indians, maintaining firm friendships with a number of their leaders and being adopted into both a Lakota Sioux tribe and the Crow tribe. Having spent a large part of his life in France and Switzerland, at the age of 73 moved to Bloomington, Indiana, where he had a community of disciples.

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Alternative Names: Isâ Nûr ad-Dîn • Isa Nur ad-Din • Fritjof Schuon • Sheikh Issa Nureddin Ahmad al-Shadhili al-Darqawi al-Alawi al-Maryami

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There are two moments in life which are everything, and these are the present moment, when we are free to choose what we wish to be, and the moment of death, when we no longer have any choice and the decision belongs to God. Now if the present moment is good, death shall be good; if we are with God now − in this present which is ceaselessly being renewed but which always remains this one and only moment of actuality − God shall be with us at the moment of our death. The remembrance of God is a death in life; it shall be a life in death.

We are agitated because we believe we have a motive for being so, that is to say, we take into account the accidents only, instead of looking toward the Substance; phenomena draw us into a vicious circle and make us forget that we bear within ourselves that which we are seeking outside.

It is less the pettinesses of the world that poison us than the fact of thinking of them too much. We should never lose our awareness of the luminous and calm grandeur of the Sovereign Good, which dissolves all the knots of this world here below.

The worldly or imperfect man journeys through life as if on a long road; if he is a believer, he sees God above him in the far distance, and also at the end of this road. However the spiritual man stands in God, and life passes before him like a stream.

The chief difficulty of the spiritual life is to maintain a simple, qualitative, heavenly position in a complex, quantitative, earthly setting.

Beauty is a message that implies a reciprocity and a commitment: it implies a reciprocity between God and man, and a commitment from man to God. In and by beauty, God gives us a message of His nature; He reveals for our sake an archetype and an essence. Beauty is a manifestation of Mercy. Man’s gratitude is that, having glimpsed divine Beauty, he gives himself to God in his heart; to give oneself to God is the response proportionate to the earthly beauty in which God, in revealing Mercy, has given Himself to man.

The perception of beauty, being a strict adequation and not a subjective illusion, essentially entails, on the one hand, a sense of satisfaction for the intelligence, and on the other, a sentiment at once of security, infinity, and love. Of security: because beauty is unitive and excludes, by means of a kind of musical evidence, the fissures of doubt and worry; of infinity: because beauty, by its very musicality, melts all hardness and limitations, thus freeing the soul from its constrictions, be it only in a minute and remote manner; of love: because beauty conjures love, that is to say, it draws the soul to union and hence to unitive extinction.

The cosmic, and more particularly the earthly, function of beauty is to actualize in the intelligent and sensitive creature the Platonic recollection of the archetypes, and thus open the way towards the luminous Night of the one and infinite Essence.

The interiorization of beauty presupposes nobility of soul and at the same time produces it.

The beauty of the sacred is a symbol or a foretaste of, and sometimes a means for, the joy that God alone procures.

Beauty is a reflection of divine beatitude; and since God is Truth, the reflection of His beatitude will be that blend of happiness and truth found in all beauty.

The beautiful is not that which we love and because we love it, but that which by its objective value obliges us to love it.

Beauty, whatever use man may make of it, belongs fundamentally to its Creator, who through it projects into the world of appearances something of His being.

Love of God is something universal: the term "love" designates not only a path depending on will and feeling, but also − and this is its broadest meaning − every path insofar as it attaches us to the Divine; "love" is everything which makes us prefer God to the world and contemplation to earthly activity, wherever this alternative has a meaning. The best love will be, not that which most resembles what the word "love" can evoke in us a priori, but that which will attach us most steadfastly or most profoundly to Reality; to love God is to keep oneself near to Him, in the midst of the world just as beyond the world; God wants our souls, whatever may be our attitudes or our methods.

The fear of God is not in any way a matter of feeling any more than is the love of God; like love, which is the tendency of our whole being toward transcendent Reality, fear is an attitude of the intelligence and the will: it consists in taking account at every moment of a Reality which infinitely surpasses us, against which we can do nothing, in opposition to which we could not live, and from the teeth of which we cannot escape.