Gao Xingjian Quotes

Grandfather, when you saw the tiger were you scared? Bad people scare me, not tigers. Grandfather, have you ever run into bad people? There aren’t many tigers but lots of bad people, only you can’t shoot people.

A good man never fights with a woman.

The sand murmurs that it wants to swallow everything.

I came to the riverbank. The sand underfoot crunches and sounds like my grandmother sighing. She is fond of chattering endlessly, although no-one understands her. If you ask, Grandmother, what did you say? She will look up absentmindedly and, after a while, say, oh, you’re back from school? Are you hungry? There are sweet potatoes in the bamboo steamer. When she chatters it is best not to interrupt; she is talking about when she was a young woman. But if you eavesdrop from behind her chair, she seems to be saying. It’s hidden, it’s hidden, everything is hidden, everything… All these memories are making noises in the sand under your feet.

I want to write a novel so profound that it would suffocate a fly.

The writer is an ordinary man, not a spokesman for the people, and that literature can only be the voice of one individual. Writing that becomes an ode to a country, the standard of a nation, the voice of a party... loses its nature—it is no longer literature. Writers do not set out to be published, but to know themselves. Although Kafka or Pessoa resorted to language, it was not in order to change the world. I, myself, believe in what I call cold literature: a literature of flight for one's life, a literature that is not utilitarian, but a spiritual self-preservation in order to avoid being stifled by society. I believe in a literature of the moment, for the living. You have to know how to use freedom. If you use it in exchange for something else, it vanishes.