Ирония умеет сделать ничтожным и суетным всякое объективное внутреннее содержание, и тем самым сама оказывается бессодержательностью и суетностью.

That the line does not consist of points, nor the plane of lines, follows from their concepts, for the line is the point existing outside of itself relating itself to space, and suspending itself and the plane is just as much the suspended line existing outside of itself.-Here the point is represented as the first and positive entity, and taken as the starting point. The converse, though, is also true: in as far as space is positive, the plane is the first negation and the line is the second, which, however, is in its truth the negation relating self to self, the point. The necessity of the transition is the same.-
The other configurations of space considered by geometry are further qualitative limitations of a spatial abstraction, of the plane, or of a limited spatial whole. Here there occur a few necessary moments, for example, that the triangle is the first rectilinear figure, that all other figures must, to be determined, be reduced to it or to the square, and so on.-The principle of these figures is the identity of the understanding, which determines the figurations as regular, and in this way grounds the relationships and sets them in place, which it now becomes the purpose of science to know.
Negativity, which as point relates itself to space and in space develops its determinations as line and plane, is, however, in the sphere of self-externality equally for itself and appearing indifferent to the motionless coexistence of space. Negativity, thus posited for itself is time.
Time, as the negative unity of being outside of itself, is just as thoroughly abstract, ideal being: being which, since it is, is not, and since it is not, is
If these determinations (of Kant, the forms of intuition or sensation) are applied to space and time, then space is abstract objectivity, whereas time is abstract subjectivity (“the pure I=I of self-consciousness” but still the concept is in its pure externality).

Time is just as continuous as space, for it is abstract negativity r

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Philosophy shows that the Idea advances to an infinite antithesis; that, viz. between the Idea in its free, universal form in which it exists for itself and the contrasted form of abstract introversion, reflection on itself, which is formal existence−for−self, personality, formal freedom, such as belongs to Spirit only.

maternal love, the most successful object of the religious imagination of romantic art. For the most part real and human, it is yet entirely spiritual, without the interest and exigency of desire, not sensuous and yet present: absolutely satisfied and blissful spiritual depth. It is a love without craving, but it is not friendship; for be friendship never so rich in emotion, it yet demands a content, something essential, as a mutual end and aim. Whereas, without any reciprocity of aim and interests, maternal love has an immediate support in the natural bond of connection. But in this instance the mother’s love is not at all restricted to the natural side. In the child which she conceived and then bore in travail, Mary has the complete knowledge and feeling of herself; and the same child, blood of her blood, stands all the same high above her, and nevertheless this higher being belongs to her and is the object in which she forgets and maintains herself. The natural depth of feeling in the mother’s love is altogether spiritualized; it has the Divine as its proper content, but this spirituality remains lowly and unaware, marvellously penetrated by natural oneness and human feeling. It is the blissful maternal love, the love of the one mother alone who was the first recipient of this joy. Of course this love too is not without grief, but the grief is only the sorrow of loss, lamentation for her suffering, dying, and dead son, and does not, as we shall see at a later stage,[9] result from injustice and torment from without, or from the infinite battle against sins, or from the agony and pain brought about by the self. Such deep feeling is here spiritual beauty, the Ideal, human identification of man with God, with the spirit and with truth: a pure forgetfulness and complete self-surrender which still in this forgetfulness is from the beginning one with that into which it is merged and now with blissful satisfaction has a sense of this oneness.
In such a beautiful way mat

Without rhetorical exaggeration, a simply truthful combination of the miseries that have overwhelmed the noblest of nations and polities, and the finest exemplars of private virtue, forms a picture of most fearful aspect, and excites emotions of the profoundest and most hopeless sadness, counterbalanced by no consolatory result. We endure in beholding it a mental torture, allowing no defence or escape but the consideration that what has happened could not be otherwise ; that it is a fatality which no intervention could alter. And at last we draw back from the intolerable disgust with which these sorrowful reflections threaten us, into the more agreeable environment of our individual life the Present formed by our private aims and interests. In short we retreat into the selfishness that stands on the quiet shore, and thence enjoys in safety the distant spectacle of "wrecks confusedly hurled." But even regarding History as the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimised the question involuntarily arises to what principle, to what final aim these.enormous sacrifices have been offered.

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Vjecni zivot Bozji mora sebe naci, postati sebe svjestan, uskladiti se sa sobom. U tom uspinjanju dolazi do otudjenja, razjedinjavanja, ali u prirodi je duha, ideje, da sebe otudjuje kako bi se ponovno nasla. To kretanje je upravo ono sto sloboda jest; jer, gledajuci stvar izvana, kazemo da je slobodan onaj covjek koji ne ovisi o nekome drugom, koji nije potlacen, nije vezan uz nekoga. Vracajuci se samome sebi, duh postize slobodu - to opce kretanje je niz oblikovanja duha. Taj niz ne treba sagledavati pravocrtno, nego kao krug koji se vraca u sebe...

But even regarding History as the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimised — the question involuntarily arises — to what principle, to what final aim these enormous sacrifices have been offered.