I don't advise. You mutn't give any weight to what I say, except in so far as your own judgment approves it.

Indolence had a great part in his temperament; a book, a sunny corner, and entire tranquillity, formed his ideal of supportable existence.

But just understand the difference between a man like Reardon and a man like me. He is the old type of unpractical artist; I am the literary man of 1882. He won't make concessions, or rather, he can't make them; he can't supply the market. I — well, you may say that at present, I do nothing; but that's a great mistake, I am learning my business. Literature nowadays is a trade. Putting aside men of genius, who may succeed by mere cosmic force, your successful man of letters is your skilful tradesman. He thinks first and foremost of the markets; when one kind of goods begins to go off slackly, he is ready with something new and appetising. He knows perfectly all the possible sources of income. Whatever he has to sell, he'll get payment for it from all sorts of various quarters; none of your unpractical selling for a lump sum to a middleman who will make six distinct profits.

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But the loneliness of her life had developed in her a sensitiveness which could not endure situations such as the present; difficulties which are of small account to people who take their part in active social life, harassed her to the destruction of all peace.

He inspired no distrust; his good nature seemed all-pervading; he had the air of one who lavishes disinterested counsel, and ever so little exalts himself with his facile exuberance of speech. The Whirlpool

In this humor [bantering/flirtatious] she [Rhoda Nunn] seemed more than ever a challenge to his manhood. She was armed at all points. She feared nothing that he might say. No flush of apprehension; no nervous tremor; no weak self-consciousness. Yet he saw her as a woman, and desirable.