Gloria Estefan Quotes

What happened is the music listener has become much more of a connoisseur and a king of his own destiny. You can no longer shove an album down their throats and say, 'Here's 15 songs, four of them are good, you know. Spend 20 dollars on this CD.' It's not going to happen. That's what has taken the music industry down.

I have a twenty-month-old baby [girl], [and] a sixteen-year-old boy— same maturity level.

We wanted to show the influence Cuban music has had on musicians from all over, so we invited 25 of the top Latin musicians in the world, and it was a great honor they paid me. Some of them are actually inventors, like Cachao, the Cuban bassist credited with creating mambo.

When I did "Unwrapped" -- that's one of my favorite albums I've ever done in my life -- I love it when someone listens to the whole album. But I would rather them be able to buy some songs that they like, [rather] than not buy the album at all . . . . You can't fight technology. You can't fight, you know, the consumer.

We established [The Gloria Estefan Foundation] in 1993, because I was getting so many pitches from charities that I thought the best way to maximize our charity dollars was to establish a foundation, where you can do so many things. [The royalties from] four of my songs go directly to my foundation, and I don't have to bother people for money. I have been funding it myself all these years, from different concerts that I do that pay right to my foundation. It's what I love to do. It's something that makes me very happy. . . [The foundation has helped] from small things to large things. Every time there has been a natural disaster, we, thought the American Red Cross, have helped. Not just here , but in Nicaragua and Honduras. Obviously, Miami is very close to my heart.

Careful! We don't want anybody getting squished.

Excuse me, you have binoculars in the second row . . . and there're zoom . . . What exactly were you looking at there? . . . Very cute . . . Well, get your money's worth, honey.

I'm signed to release the third book in the series. When they invited me to do the Noelle book I had started on an autobiography, sort of, because I still get a lot of questions about that. I done so much music in my life, and writing is a beautiful outlet to continue to grow.

Music is a healing force and we have the privilege of sharing it. It's an awesome responsibility. It has to be something that says something from you. It's a beautiful way to live your life. Whether you end up doing it for a business or just end up singing for your kids, teaching other people to do music, or doing therapy, go forward with a lot of belief, because it's such an amazing way to live your life.

My favorite process is writing, from day one. The songs I have written throughout the years were a real great opportunity for me to communicate, because I think that's my prime objective on this planet.

We do have the power to save one another . . .

. . . My best friend [as a young girl] made this mole on my face, because she would get in a fight with me and scratch me -- by the third time the scab came off the [mole] was there . . .

My foundation trys to help people that fall through the cracks, [people] that can't get help from big organizations . . . . We try to fill in where [other] people don't help out.

The 2004 tour hasn't ended. I still have to finish Latin America and Europe. [Celia Cruz and I] were good friends. Emilio did her first video; we wrote a song for her. I would have loved to have had her there [when recording "90 Millas"]. But she was there. I felt her. That's the beauty of a legacy. Celia was economical and tasty in her choices. And in the pocket like you wouldn't believe? [Which means] It's like a rhythm, from son music. To have it it is to be locked in, like a tuned engine. Once you're in the pocket, you're free. That's why, for most of these songs, I sang and I sang until I had the emotion, then . . . one take. {Couldn't you be considered the heiress to Celia Cruz?] you can't give yourself a title! That's crazy! If I ever start talking like that, please put me out of my misery. I don't care if I'm 80, with my butt to my ankles, put me down.