I'm no more modern than ancient, no more French than Chinese, and the idea of a native country, that is to say, the imperative to live on one bit of ground marked red or blue on the map and to hate the other bits in green or black, has always seemed to me narrow-minded, blinkered and profoundly stupid. I am a soul brother to everything that lives, to the giraffe and to the crocodile as much as to man.
French novelist (1821–1880)
Gustave Flaubert (December 12 1821 – May 8 1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary (1857), for his Correspondence, and for his scrupulous devotion to his style and aesthetics.
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We think of women at every age: while still children, we fondle with a naïve sensuality the breasts of those grown-up girls kissing us and cuddling us in their arms; at the age of ten, we dream of love; at fifteen, love comes along; at sixty, it is still with us, and if dead men in their tombs have any thought in their heads, it is how to make their way underground to the nearby grave, lift the shroud of the dear departed women, and mingle with her in her sleep
He loved the extensive vaults where you could hear the night birds and the sea breeze; he loved the craggy ruins bound together by ivy, those dark halls, and any appearance of death and destruction. Having fallen so far from so high a position, he loved anything that had also fallen from a great height
At other times, at the edge of a wood, especially at dusk, the trees themselves would assume strange shapes: sometimes they were arms rising heavenwards, , or else the trunk would twist and turn like a body being bent by the wind. At night, when I woke up and the moon and the stars were out, I would see in the sky things that filled me simultaneously with dread and longing. I remember that once, one Christmas Eve, I saw a great naked women, standing erect, with rolling eyes; she must have been a hundred feet high, but along she drifted, growing ever longer and ever thinner, and finally fell apart, each limb remaining separate, with the head floating away first as the rest of her body continued to waver
The melancholy of the antique world seems to me more profound than that of the moderns, all of whom more or less imply that beyond the dark void lies immortality. But for the ancients that ‘black hole’ is infinity itself; their dreams loom and vanish against a background of immutable ebony. No crying out, no convulsions — nothing but the fixity of the pensive gaze.
With the gods gone, and Christ not yet come, there was a unique moment, from Cicero to Marcus Aurelius, when man stood alone. Nowhere else do I find that particular grandeur.
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