Harlan Ellison Quotes

David Gerrold never wrote an episode that Gene thought was shootable … then how do we account for something titled “The Trouble with Tribbles”?)

He was furious. He wouldn't let me bury them. It didn't matter. There was no way to dig up the deckplates. He dried up the snow. He brought the night. He roared and sent locusts. It didn't do a thing; they stayed dead. I'd had him.

When you're all alone out there, on the end of the typewriter, with each new story a new appraisal by the world of whether you can still get it up or not, arrogance and self-esteem and deep breathing are all you have. It often looks like egomania. I assure you it's the bold coverup of the absolutely terrified.

Because the chief commodity a writer has to sell is his courage. And if he has none, he is more than a coward. He is a sellout and a fink and a heretic, because writing is a holy chore.

Oh, Jesus sweet Jesus, if there ever was a Jesus and if there is a God, please please please let us out of here, or kill us. Because at that moment I think I realized completely, so that I was able to verbalize it: AM was intent on keeping us in his belly forever, twisting and torturing us forever. The machine hated us as no sentient creature had ever hated before. And we were helpless. It also became hideously clear: If there was a sweet Jesus and if there was a God, the God was AM.

All writers in some insane place believe that to write is a holy chore — that what one wishes to do is speak to one’s time, to make a difference, to say: "I was here. I was a force for good in some way."

Also England is a good country for introverts; they have a place in society for the introvert, which the United States has not.

You are not alone. We are all the same, all in this fragile skin, suffering the ugliness of simply being human, or prey to the same mortal dreads. When I lecture I try to say this, to say most of the fears you invent—atomic war, multinational conspiracies, assassination paranoias, fear of ethnic types, flying saucers from Mars—those are all bullshit. I inveigh against illogical beliefs and say that the mortal dreads are the ones that drive you to crazy beliefs in Scientology, est, the power of dope, hatred of elitism and intellectual pursuits, astrology, messiahs like Sun Myung Moon or Jim Jones, fundamentalist religions. I try to tell you that fear is okay if you understand that what you fear is the same for everyone.
Not the bogus oogie-boogie scares of Dan O’Bannon and Ridley Scott’s Alien, slavering creatures in the darkness that want to pierce your flesh with scorpion stinger tails and ripping jaws, but the fear of Gregor Samsa waking to discover he isn’t who he was when he went to bed; the fear of Pip in the graveyard; the fear of Huck finding his dead father on the abandoned houseboat. The fears to which we are all heir to simply because we are tiny creatures in the universe that is neither benign nor malign…it is simply enormous and unaware of us save as part of the chain of life.

There was Art, and there was survival, and sometimes they were mutually exclusive.

Why let them order you about? Why let them tell you to hurry and scurry like ants or maggots? Take your time! Saunter a while! Enjoy the sunshine, enjoy the breeze, let life carry you at your own pace! Don't be slaves of time, it's a helluva way to die, slowly, by degrees...down with the Ticktockman!

Glowing in the dimensionless whispering dimness, Griffin saw a scene that could only have come from his dreams. The girl, naked white against the ledges and slopes of the falls, water cascading down her back, across her thighs, cool against her belly, her head laid back and white water bubbling through the shining black veil of her hair, touching each strand, silkily shining it with moisture; her eyes closed in simple pleasure; that face, the right face, the special face, the certain face of the woman he had always looked for without looking, hunted silently for, without acknowledging the search; lusted for, without feeling worthy of the hunger.

"Did you have one of those days today, like a nail in the foot? Did the pterodactyl corpse dropped by the ghost of your mother from the spectral Hindenburg forever circling the Earth come smashing through the lid of your glass coffin? Did the New York strip steak you attacked at dinner suddenly show a mouth filled with needle-sharp teeth, and did it snap off the end of your fork, the last solid-gold fork from the set Anastasia pressed into your hands as they took her away to be shot? Is the slab under your apartment building moaning that it cannot stand the weight on its back a moment longer, and is the building stretching and creaking? Did a good friend betray you today, or did that good friend merely keep silent and fail to come to your aid? Are you holding the razor at your throat this very instant? Take heart, comfort is at hand. This is the hour that stretches. Djan karet. We are the cavalry. We're here. Put away the pills. We'll get you through this bloody night. Next time, it'll be your turn to help us.
"Eidolons" (1988)"

First there was light, and then there was no-light. First there was heat, and then there was no-heat. And — First there was love, and then there was no-love. But in its place did not come the absence of love, the emptiness that the going of light and heat had left. Another moved in to take its place. In its place came hate.

He was just Ron and I kinda liked him, mostly because he wrote well, and I never felt he took all that Scientology nonsense seriously but knew how to make a good buck, and he liked me, and... well, he was a friend who died.

I don't own a computer, or a modem, or anything like that; I still work on a manual typewriter, by choice, and to those who consider me a Luddite I say: Fuck you and yo mama. I operate at the level of technology that best suits my needs. And I type at 120 words per minute — two fingers — I make no mistakes, and my manuscripts are real. You can pick them up and hold them. My typewriter doesn't dump its memory — I don't lose a book.