Before I proceed, let me reiterate: I do not write diary. A writer cannibalizes his own life and memories, yes, that is true. All we have to work with is what we know and what we dream. But nothing is more boring than kvetching in fiction. Thinly disguised personal reminiscence is not fiction. Those who, in the past, have identified me with everything that goes down in my stories have assumed I am a murderer, a transvestite, a cannibal, a sexist, a feminist, a racist, an egalitarian, an elitist, a vegetarian, an esthete, a commoner, a psychopath, a pacifist, a pederast, a womanizer, a layabout and a workaholic. Despite the fact that I have never used drugs, there is a large segment of my readership that swears I’m a heavy doper.

I talk about the things people have always talked about in stories: pain, hate, truth, courage, destiny, friendship, responsibility, growing old, growing up, falling in love, all of these things. What I try to write about are the darkest things in the soul, the mortal dreads. I try to go into those places in me that contain the cauldrous. I want to dip up the fire, and I want to put it on paper. The closer I get to the burning core of my being, the things which are most painful to me, the better is my work. … It is a love/hate relationship I have with the human race. I am an elitist, and I feel that my responsibility is to drag the human race along with me — that I will never pander to, or speak down to, or play the safe game. Because my immortal soul will be lost.

In every successful production, whether television or feature film, the presence of one strong man can be seen: whether the head actor, or the head writer, or the director, or the producer, if there is one man with balls enough to swing his weight in the cause of artistic integrity, what emerges, nine times out of 9.89, is worth viewing, while the reverse proportion holds for those efforts born of Art by Committee Decision.

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When they dug the body out of the alley, it made even the hardened construction workers and emergency squad cops ill. Not one bone was left unbroken. The very flesh seemed to have been masticated as if by a nation of cannibal dogs. Even so, the three inured excavators who finally used winding sheets and shovels to bring the shapeless mess up from its five-foot grave agreed that it was incredible, totally past belief, that the head and face were untouched. And they all agreed that the expression on the face was not one of happiness. There were many possible explanations for that expression, but no one would have said terror, for it was not terror. They would not have said helplessness, for it was not that, either. They might have settled on a pathetic sense of loss, had their sensibilities run that deep, but none of them would have felt that the expression said, with great finality: a man may truly live in his dreams, his noblest dreams, but only, only if he is worthy of those dreams.

People on the outside think there’s something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn’t like that. You sit in back of the typewriter and you work, and that’s all there is to it.

Did you have one of those days today, like a nail in the foot? Did the pterodactyl corpse dropped by the ghost of your mother from the spectral Hindenburg forever circling the Earth come smashing through the lid of your glass coffin? Did the New York strip steak you attacked at dinner suddenly show a mouth filled with needle-sharp teeth, and did it snap off the end of your fork, the last solid-gold fork from the set Anastasia pressed into your hands as they took her away to be shot? Is the slab under your apartment building moaning that it cannot stand the weight on its back a moment longer, and is the building stretching and creaking? Did a good friend betray you today, or did that good friend merely keep silent and fail to come to your aid? Are you holding the razor at your throat this very instant? Take heart, comfort is at hand. This is the hour that stretches. Djam karet. We are the cavalry. We're here. Put away the pills. We'll get you through this bloody night. Next time, it'll be your turn to help us.

Es un error pensar que la ciencia ficción es un campo literario salvaje que se aparta de los caminos conocidos; puede ser un ingrediente más de cualquier tipo de ficción, del mismo modo que la ciencia y las tecnologías actuales forman parte integrante de nuestras vidas en todos sus aspectos.

Thus, from admiration of one wise and innocent child, and from a misheard remark, the process that not even Aristotle could codify was triggered.
Where do you get your ideas?
I purposely mishear things.

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