I paddle outrigger canoes with the and I also do that here in London. I work on research ships. I've worked on many of the world's oceans. ...I've had the privilege of working at Scripps and at the Graduate School of Oceanography... at NOC, or the University of South Hampton... and it felt like no one had told those stories, so I wanted to tell those stories... because I wanted people to see. I was so frustrated of people assuming that the ocean was just a place where the fish lived, or assuming that the ocean was just a big empty pond... and I realized, "Why would they see?" because no one had told them.

[T]he way I started to think about it... sometimes you get those kind of special effects where little pictures start appearing, making a , and then there's a shape left in the middle, and once you've got enough little pictures you can see the shape. But... until you've seen all those little pictures, you can't see anything. ...[T]he ocean's ...like that. The only way to really understand it, and we take this for granted as ocean scientists, is that you have to see it in lots of different ways. It's like the blind man and the elephant... One finds a trunk and thinks it's a snake. One finds a leg and thinks it's a tree. Yet you need all those perspectives, and then you start to build up a picture of what it means for an ocean to be there. ...[I]t ...bugged me that no one had done that and I thought I could find those stories.

[T]he problem with the ocean... is that it's too many things to sum up in a sentence... [Y]ou can say logically what it is. It's a layer of water about this thick that covers 70% of Earth. Fine, it doesn't mean anything. But to convey to people what it means to have an ocean, what it means to be a citizen of an ocean planet, you... need lots of different types of stories...

[N]o one was talking about the ocean, and when I went looking for popular science books... about , there really is close to nothing. There's lots of things about fish and whales and about pollution. Everything except the water itself, and that seemed to be the most ludicrous omission... I was sure the stories were there, but... to tell the story, to paint a picture of the ocean.

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[P]eople can contribute in lots of ways... [W]e're at the stage now, especially with any environmental science and... designing the future of society... where we... need all the help we can get... [S]o it is ludicrous to rule people out because they get seasick, for example. ...That's something of the past and... we have to move on from that.

It's very, very important to make the point that there are lots of ways to be an oceanographer. You don't have to go to sea... I would say to people, "I'm a physicist. I'm not an oceanographer." and they would go, "Oh you go to sea, so you're an oceanographer." But actually now we have much better data availability, data visualization... There are lots of people involved in coding and modeling and building devices and the engineering, who don't go to sea. But they are part of the ocean science community, and it's very, very important that they are there.

I've always studied the physics in the middle, even when I was doing my degree. ...I passed my exams in quantum mechanics and cosmology, but I knew I was never going to touch those things, but with the ocean it's something you can directly experience... I'm much more interested in the everyday world than in... s or something.

I come from in the north of England... a long way from the coast. ...I learned to scuba dive at Scripps. I learned to sail in . I hadn't done any of that before, so I was about as much a landlubber as you can get, but I was up for the adventure... That's the reason I'm doing what I'm doing... because it not only involves very interesting physics, but you are right in the middle of... experiencing it while it's happening...

It's interesting how you can look at the sea and not see it. There's this phrase... that the Merchant Marine use, which is sea blindness... [T]he UK is especially guilty of this... We talk of ourselves as an island nation and we talk... of having this maritime history, and yet we never actually look at the sea... This idea that it can be right there and yet we're somehow blind to it... I was totally guilty of that... being sea blind.

I think that video... We made little DVDs of it that got shared around the participants on the cruise. They were all... interested in it, and... this was long before I'd done any stuff for the and... I didn't think of filmmaking as something I would want to do. But in retrospect... there was a story to tell, and I was interested in telling that story.

I never wanted to go into filmmaking. It was just that I had the opportunity... I found the visceral nature of it very appealing... [Y]ou're in the middle of something directly experiencing it at the same time as studying it... [T]hat was really interesting to me.

I was on the Kilo Moana, out of Santa Barbara, on a preparatory cruise for a bigger one... [W]e were in... calm water off Santa Barbara and the Kilo Moana... has swath holes, so a very stable platform kind of a ship, more of a platform than a ship in some sense... [T]hat was the first time I'd ever... hung an instrument over the side... in order to try and measure something... [I]n the second cruise... I made a video of the cruise, like a... mini-documentary...