"A long time ago I lived in Lisbon,' she said, in softly slurred Portuguese that made the name of the city Leesh-boa. 'But before that, meus neto, my tribe was in the mountains where there are only old things, like the trees and the rocks and the streams. There are truths to be learned from the old things -' She hesitated, and her brown, shrunken claw closed over Pete's hand. 'Do you know the truth, Pedrinho?'

("Before I Wake...")"

A casual eye might have seen nothing extraordinary in Wade as he moved lithely across the meadow toward the Thunderbug. He was tall, lean and rangy, looking rather like a college boy on a vacation, with his brown, almost youthful face and tousled dark hair, so deep-black that it was almost blue. A closer inspection would have shown more significant details. There was an iron hardness underlying Wade’s face, like iron beneath velvet. His jet eyes were decidedly not those of a boy. There was a curious quality of soft depth to them, although sometimes that black deep could freeze over with deadly purpose.

"This is the story of a boy named Pete Coutinho, who had a spell put on him. Some people might have called it a curse. I don't know. It depends on a lot of things, on whether you've got gipsy blood, like old Beatriz Sousa, who learned a lot about magic from the wild gitana tribe in the mountains beyond Lisbon, and whether you're satisfied with a fisherman's life in Cabrillo.

Not that a fisherman's life is a bad one, far from it. By day you go out in the boats that rock smoothly across the blue Gulf waters, and at night you can listen to music and drink wine at the Shore Haven or the Castle or any of the other taverns on Front Street. What more do you want? What more is there?

And what does any sensible man, or any sensible boy, want with that sorcerous sort of glamor that can make everything incredibly bright and shining, deepening colors till they hurt, while wild music swings down from stars that have turned strange and alive? Pete shouldn't have wanted that, I suppose, but he did, and probably that's why there happened to him - what did happen. And the trouble began long before the actual magic started working.

("Before I Wake...")"

Then I knew that the last test of sanity had failed me, for it was no longer possible to tell the unreal from the real. The last test fails when the illusion moves into life itself and you can touch and feel and handle the commercial vision as if she were the real woman. There was no defense any more.

The people of Bel Yarnak no longer move light-heartedly about their houses; lifeless images throng the streets and palaces. Immovable and silent sits the Sindara on a tarnished throne; dark and grim looms the city under the hurtling moons. It is Dis; it is the damned city, and sad voices in the silent metropolis mourn for lost glory.

The race moves on. It has its human limitations. The tools we make have no limitations at all. When we educate ourselves to learn to handle those tools most efficiently we can go on to the next step, whatever it may be. Meanwhile there must be check and balance—rigid control.

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"The Isle of Pines was Circe's isle, with white marble columns here and there in the dark, green, and pirates would be dueling with a flash of clashing swords and a flash of recklessly smiling white teeth. The Gulf, like the Caribbean, is haunted by the ghosts of the old buccaneers. Tampico, to Pete, wasn't the industrial shipping port his father knew. It had palaces and parrots of many colors, and winding white roads. It was an Arabian Nights city, with robed magicians wandering the streets, benign most of the time, but with gnarled hands like tree-roots that could weave spells.

Manoel, his father, could have told him a different story, for Manoel had shipped once under sail, in the old days, before he settled down to a fisherman's life in Cabrillo. But Manoel didn't talk a great deal. Men talk to men, not to boys, and that was why Pete didn't learn as much as he might have from the sun-browned Portuguese who went out with the fishing fleets. He got his knowledge out of books, and strange books they were, and strange knowledge.

("Before I Wake...")"

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All these things were slipping away from him, in a clear, cold wisdom that came from beyond the stars. He envisioned man as a bit of animate clay moving fro a little while upon a ball of mud and stone and water that drifted through the void, through the darkness that would finally engulf it.

I believe in things I never used to. I think someone is trying to find me — has found me. And is calling. Who it is I don't know. What they want I don't know. But a little while ago I found out one more thing — this sword." I picked the sword up from the table. "It isn't what I want," I went on, "But sometimes, when my mind is — abstract, something from outside floats into it. Like the need for a sword. And not any sword — just one. I don't know what the sword looks like, but I'd know if I held it in my hand." I laughed a little. "And if I drew it a few inches from the sheath, I could put out that fire up there as if I'd blown on it like a candleflame. And if I drew the sword all the way out — the world would come to an end!