American novelist (1891–1980)
Henry Valentine Miller (26 December 1891 – 7 June 1980) was an American writer and artist. He was known for developing a new type of semi-autobiographical novel that blended character study, social criticism, philosophical reflection, stream of consciousness, explicit language, sex, surrealist free association, and mysticism.
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Emma Goldman. I had nothing but admiration for her. Those speeches she made on behalf of the working man, Jesus! She could inflame you, incite you to riot, [-] Goldman and Berkman, decided to assassinate the head of a big steel company, an industrial magnate named Frick. Well, they decided a gun would be the quickest and most efficient way, but they had the problem of not having enough money to buy one. So, Goldman thinks she'll have to prostitute herself to get the money. She dresses up and fixes herself up in a horrible way. She had no sense whatever in that regard. She stations herself on the street, waiting for customers, and all the while she's looking hideous, monstrous. The first man who approaches her is a gentleman, well dressed, well educated and the like. She tells him everything, all about her work, her beliefs, and even about the assassination plot. The man was completely intrigued with her stories, he wasn't at all interested in fucking her. He handed her a good sum of money [-] Needless to say, she had a profound effect on the lives of nearly everyone who came into contact with her. She was an exceptional figure.
A man writes to throw off the poison which he has accumulated because of his false way of life. He is trying to recapture his innocence, yet all he succeeds in doing is to inoculate the world with a virus of his disillusionment. No man would set a word down on paper if he had the courage to live out what he believed in....
I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...
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It is our destiny to live with the wrong as well as the right kind of citizens, and to learn from them, the wrong-minded ones, as much or more as from others. If we have not yet succeeded -after how many centuries?- in eliminating from life the elements which plague us perhaps we need to question life more closely. Perhaps our refusal to face reality is the only ill we suffer from, and all the rest but illusion and delusion. (p.26)
Writing, like life itself, is a voyage of discovery. The adventure is a metaphysical one: it is a way of approaching life indirectly, of acquiring a total rather than a partial view of the universe. The writer lives between the upper and lower worlds: he takes the path in order eventually to become that path himself.
”I began in absolute chaos and darkness, in a bog or swamp of ideas and emotions and experiences. Even now I do not consider myself a writer, in the ordinary sense of the word. I am a man telling the story of his life, a process which appears more and more inexhaustible as I go on. Like the world-evolution, it is endless. It is a turning inside out, a voyaging through X dimensions, with the result that somewhere along the way one discovers that what one has to tell is not nearly so important as the telling itself. It is this quality about all art which gives it a metaphysical hue, which lifts it out of time and space and centers or integrates it to the whole cosmic process. It is this about art which is ‘therapeutic’: significance, purposefulness, infinitude.
”From the very beginning almost I was deeply aware that there is no goal. I never hope to embrace the whole, but merely to give in each separate fragment, each work, the feeling of the whole as I go on, because I am digging deeper and deeper into life, digging deeper and deeper into past and future. With the endless burrowing a certitude develops which is greater than faith or belief. I become more and more indifferent to my fate, as writer, and more and more certain of my destiny as a man.
I want to get more familiar with you. I love you. I loved you when you came and sat on the bed — all that second afternoon was like warm mist — and I hear again the way you say my name — with that queer accent of yours. You arouse in me such a mixture of feelings, I don't know how to approach you. Only come to me — get closer and closer to me. It will be beautiful, I promise you.