Iain Banks Quotes

It was like living half your life in a tiny, stuffy, warm gray box, and being moderately happy in there because you knew no better...and then discovering a little hole in one corner of the box, a tiny opening which you could get a finger into, and tease and pull at, so that eventually you created a tear, which led to a greater tear, which led to the box falling apart around you...so that you stepped out of the tiny box’s confines into startlingly cool, clear fresh air and found yourself on top of a mountain, surrounded by deep valleys, sighing forests, soaring peaks, glittering lakes, sparkling snowfields and a stunning, breathtakingly blue sky. And that, of course, wasn’t even the start of the real story, that was more like the breath that is drawn in before the first syllable of the first word of the first paragraph of the first chapter of the first book of the first volume of the story.

I am not being obtuse. You are being paranoid.

I came out stunned. I was angry at them, then. Angry at them for surprising me, touching me like that. Of course I was angry at their stupidity, their manic barbarity, their unthinking, animal obedience, their appalling cruelty; everything that the memorial evoked... but what really hit me was that these people could create something that spoke so eloquently of their own ghastly actions; that they could fashion a work so humanly redolent of their own inhumanity.

An excess of boringness does not make a thing interesting except in the driest academic sense. A place is not boring if you have to look really hard for something which is interesting. If there is absolutely nothing interesting about any particular place, then that is a perfectly interesting and quintessentially un-boring place.

Gadfium found these meetings exasperating; they were supposed to keep people up to date with developments and help facilitate actions which might be of use in the current emergency, but so far all they ever seemed to do was pander to some of the attendees’ feelings of self-importance and produce vast amounts of talk that substituted for deeds rather than leading to them.

Have you always been so suspicious, Banstegeyn?"
He looked at her, unsmiling. "No, I stumbled into a position of great power quite by accident.

If you have any helpful suggestions I’d be pleased to hear them. If all you can do is make snide insinuations then it would probably benefit all concerned if you bestowed the fruits of your prodigious wit on someone with the spare time to give them the consideration they doubtless deserve.

They're on a cusp; a highly heterogeneous but highly connected — and stressedly connected — civilization. I'm not sure that one approach could encompass the needs of their different systems. The particular stage of communication they're at, combining rapidity and selectivity, usually with something added to the signal and almost always with something missed out, means that what passes for truth often has to travel at the speed of failing memories, changing attitudes, and new generations. Even when this form of handicap is recognized all they ever try to do, as a rule, is codify it, tidy it up. Their attempts of filter become part of the noise, and they seem unable to bring any more thought to bear on the matter than that which leads them to try and simplify what can only be understood by coming to terms with its complexity.

It was a warship, after all. It was built, designed to glory in destruction, when it was considered appropriate. It found, as it was rightly and properly supposed to, an awful beauty in both the weaponry of war and the violence and devastation which that weaponry was capable of inflicting, and yet it knew that attractiveness stemmed from a kind of insecurity, a sort of childishness. It could see that — by some criteria — a warship, just by the perfectly articulated purity of its purpose, was the most beautiful single artifact the Culture was capable of producing, and at the same time understand the paucity of moral vision such a judgment implied. To fully appreciate the beauty of the weapon was to admit to a kind of shortsightedness close to blindness, to confess to a sort of stupidity. The weapon was not itself; nothing was solely itself. The weapon, like anything else, could only finally be judged by the effect it had on others, by the consequences it produced in some outside context, by its place in the rest of the universe. By this measure the love, or just the appreciation, of weapons was a kind of tragedy.

We’ve filled the known universe with credulous idiots and we think we’ve sneakily contributed to our own safety by making it hard for anything untoward to creep in under our sensor coverage whereas in fact we’ve just made sure we harvest zillions of false positives and probably made the really serious shit harder to spot when it does eventually come flying.

What I know was passed to me by others, and so must surrender the toll which information tends to pay when it passes through the minds and memories of others.

Of course they aren’t ready for it, of course we’ll spoil the place. Are they any more ready for World War Three? You seriously think we could mess the place up more than they’re doing at the moment? When they’re not actually out slaughtering each other they’re inventing ingenious new ways to massacre each other more efficiently in the future, and when they’re not doing that they’re committing speciescide, from the Amazon to Borneo... or filling the seas with shit, or the air, or the land. They could hardly make a better job of vandalizing their own planet if we gave them lessons.

Us with our busy, busy little lives, finding no better way to pass our years than in competitive disdain.

How depressing, the Sleeper Service thought. That it should all come down to this; the person with the biggest stick prevails.

Pain, or even just discomfort, is like the warning sent by a frontier guard, sir. You are free to choose to ignore it, but you should not be unduly surprised if you are subsequently over-run by invaders.