Iris Murdoch Quotes

Only lies and evil come from letting people off.

The world is perhaps ultimately to be defined as a place of suffering. Man is a suffering animal, subject to ceaseless anxiety and pain and fear.

Every artist is an unhappy lover. And unhappy lovers want to tell their story.

Your infatuation will end in tears.

To say we were 'in love', that vague weakened phrase, cannot express it. We loved each other, we lived in each other, through each other, by each other. We were each other. Why was it such pure unadulterated pain?

Hegel says that Truth is a great word and the thing is greater still. With Dave we never seemed to get past the word.

"Sometimes I felt I would die by wishing it when I went to sleep but I always woke up again and found I was still there. Every morning finding I'm still me, that's hell."

"Well, get out of hell then! The gate's open and I'm holding it!"

"I can't. I'm hell, myself."

Coffee, unless it is very good and made by somebody else, is pretty intolerable at any time.

I'm made for misery, misery, misery, I'm made to be destroyed!

And now she had run into an emptiness more final than any words of rejection. He was gone and would make himself a stranger to her for ever.

I feel half faded away like some figure in the background of an old picture.

To eat, teeth must meet.

When the sun was set I might perhaps go to sleep. I never let myself sleep during the day. Daytime sleep is a cursed slumber from which one wakes in despair. The sun will not tolerate it. If he can he will pry under your eyelids and prise them apart; and if you hang black curtains at your windows he will lay siege to your room until it is so stifling that at last you stagger with staring eyes to the window and tear back the curtains to see that most terrible of sights, the broad daylight outside a room where you have been sleeping.

Amo amas amat amamus amatis amant amavi amavisti amavit amavimus amavistis amaverunt amavero amaveris amaverit… Everything was love. Everything will be love. Everything has been love. Everything would be love. Everything would have been love. Ah, that was it, the truth at last. Everything would have been love. The huge eye, which had become an immense sphere, was gently breathing, only it was not an eye nor a sphere but a great wonderful animal covered in little waving legs like hairs, waving oh so gently as if they were under water. All shall be well and all shall be well said the ocean. So the place of reconciliation existed after all, not like a little knot hole in a cupboard but flowing everywhere and being everything. I had only to will it and it would be, for spirit is omnipotent only I never knew it, like being able to walk on the air. I could forgive. I could be forgiven. I could forgive. Perhaps that was the whole of it after all. Perhaps being forgiven was just forgiving only no one had ever told me. There was nothing else needful. Just to forgive. Forgiving equals being forgiven, the secret of the universe, do not whatever you do forget it. The past was folded up and in the twinkling of an eye everything had been changed and made beautiful and good.

T. S. Eliot and Jean-Paul Sartre, dissimilar enough as thinkers, both tend to undervalue prose and to deny it any imaginative function. Poetry is the creation of linguistic quasi-things; prose is for explanation and exposition, it is essentially didactic, documentary, informative. Prose is ideally transparent; it is only faute de mieux written in words. The influential modern stylist is Hemingway. It would be almost inconceivable now to write like Landor. Most modern English novels indeed are not written. One feels they could slip into some other medium without much loss. It takes a foreigner like Nabokov or an Irishman like Beckett to animate prose language into an imaginative stuff in its own right.