My great pleasure is creation—of this I never tire. Some of my guests have complained of a gentle melancholy which hangs in the air; I agree that the mood exists. The explanation, I believe, arises from the fugacity of beauty, the tragic pavanne to which all of us step.

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I am an unhappy man. I am haunted by my inability to express the inexpressible, to come to terms with the unknown. The pursuit of beauty is, of course, a major psychological drive. It its various guises—which is to say, the urge to perfection, the yearning to merge with the eternal, the explorer’s restlessness, the realization of an Absolute created by ourselves, yet larger than our totality—it is perhaps the most important human thrust.

“Don’t you think it’s a bit—well, intense? Are people really interested in these matters?”
“If not they should be.”
“Easily said, but it’s no way to run a magazine. People don’t want to really understand anything; they want to think they have learned without the necessity of application.”

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