American author (1879–1958)
James Branch Cabell (14 April 1879 – 5 May 1958) was an American author of satirical fantasy works, most notably The Cream of the Jest, Jurgen, A Comedy of Justice, Figures of Earth, and other works in the series known as Biography of the Life of Manuel.
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I have made at worst some neat, precise and joyous little tales which prevaricate tenderly about the universe and veil the pettiness of human nature with screens of verbal jewelwork. It is not the actual world they tell about, but a vastly superior place where the Dream is realized and everything which in youth we knew was possible comes true. It is a world we have all glimpsed, just once, and have not ever entered, and have not ever forgotten. So people like my little tales. . . . Do they induce delusions? Oh, well, you must give people what they want, and literature is a vast bazaar where customers come to purchase everything except mirrors."
Yet I am content. For I have served that dream which I elected to be serving. It may be that no man is royal, and that no god is divine, and that our mothers and our wives have not any part in holiness. Oh, yes, it very well may be that I have lost honor and applause, and that I take destruction, through following after a dream which has in it no truth. Yet my dream was noble; and its nobility contents me.
Why, it seemed to me I had lost the most of myself; and there was left only a brain which played with ideas, and a body that went delicately down pleasant ways. And I could not believe as my fellows believed, nor could I love them, nor could I detect anything in aught they said or did save their exceeding folly: for I had lost their cordial common faith of what use they made of half-hours and months and years... I had lost faith in the importance of my own actions, too. There was a little time of which the passing might be made endurable; beyond gaped unpredictable darkness: and that was all there was of certainty anywhere.
I must tell you that in this moment all doubt as to my attested worth went out of me, who had redeemed a kingdom, and begotten a king, and created a god. So you waste time, my friend, in trying to convince me of all human life's failure and unimportance, for I am not in sympathy with this modern morbid pessimistic way of talking. It has a very ill sound, and nothing whatever is to be gained by it.
You, whom I made for man's worship when earth was younger and fairer, hearken, and learn why I breathe new life into husks from my scrap-heaps! Gods of old days, discrowned, disjected, and treated as rubbish, hark to the latest way of the folk whose fathers you succored! They have discarded you utterly.
It is true I have not told you everything. Why should I? No Author ever does.... With Felix Kennaston — or, if you prefer it so, with Horvendile, — rests safe this secret and peculiar knowledge as to how the life of Manuel may yet repair to its first home after some seven centuries of exile. Thus will the traveller return — by and by — to the place of his starting; the legend of the second coming of the Redeemer will be justified, in, at all events, my lesser world; and the tale to Manuel's life will have come again, as it did once beside the pool of Haranton, full circle.
I am not fit to mate with your perfection. At the bottom of my heart, I no longer desire perfection. For we who are tax-payers as well as immortal souls must live by politic evasions and formulae and catchwords that fret away our lives as moths waste a garment; we fall insensibly to common-sense as to a drug; and it dulls and kills whatever in us is rebellious and fine and unreasonable; and so you will find no man of my years with whom living is not a mechanism which gnaws away time unprompted.