French writer and filmmaker (1889–1963)
J'exige un vrai bonheur, un vrai amour, une vraie contrée où le soleil alterne avec la lune, où les saisons se déroulent en ordre, où de vrais arbres portent de vrais fruits, où de vrais poissons habitent les rivières, et de vrais oiseaux le ciel, où la vrai neige découvre de vraies fleurs, où tout sort est vrai, vrai, véritable. J’en ai assez de cette lumière morne, de ces campagnes stériles, sans jour, sans nuit, où ne survivent que les bêtes féroces et rapaces, où les lois de la nature ne fonctionnent pas.
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Man seeks to escape himself in myth, and does so by any means at his disposal… unnable to withdraw into himself, he disguises himself. Lies and inaccuracy give him a few moments of comfort, the trifling feeling of escape experienced at a masked ball. He distances himself from that which he feels and sees. He invents. He transfigures. He mythifies. He creates. He fancies himself an artist. He imitates, in his small way, the painters he claims are mad.
My hair has always grown in all directions and my teeth too and my beard. My nerves and my soul must surely grow in the same way. That is what makes me incomprehensible to those who grow all in one direction and are incapable of imagining a hay-stack. It is this that baffles those who could rid me of this legendary leprosy. They do not know how to take me.
This organic disorder is a safeguard for me because it keeps the thoughtless at distance. I also get certain advantages from it. It gives me diversity, contrast, a quickness in leaning to one side or the other as this or that object invites me, and in regaining my balance.
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