Jerome K. Jerome Quotes

Appearance, not reality, is what the clever dog grasps at in these clever days. We spurn the dull-brown solid earth; we build our lives and homes in the fair-seeming rainbow-land of shadow and chimera.

THERE were four of us - George, and William Samuel Harris, and myself, and Montmorency. We were sitting in my room, smoking, and talking about how bad we were - bad from a medical point of view I mean, of course.

A vida funciona segundo o princípio dos pratos da balança, e a felicidade que alcançamos numa vertente da vida perdemos na vertente contrária. À medida que as nossas posses aumentam, o mesmo sucede com os nossos desejos; e estamos sempre a meio caminho entre aquelas e estes. Quando residimos numas águas-furtadas, ficamos felizes ao saborear uma ceia de peixe-frito com cerveja preta. Quando moramos num primeiro andar, só um jantar requintado no Continental nos pode proporcionar a mesma satisfação.

I like to watch an old boatman rowing, especially one who has been hired by the hour. There is something so beautifully calm and restful about his method. It is so free from that fretful haste, that vehement striving, that is every day becoming more and more the bane of nineteenth-century life. He is not for ever straining himself to pass all the other boats. If another boat overtakes him and passes him it does not annoy him; as a matter of fact, they all do overtake him and pass him — all those that are going his way. This would trouble and irritate some people; the sublime equanimity of the hired boatman under the ordeal affords us a beautiful lesson against ambition and uppishness.

Conceit is the finest armor that a man can wear. Upon its smooth, impenetrable surface the puny dagger-thrusts of spite and envy glance harmlessly aside. Without that breast-plate the sword of talent cannot force its way through the battle of life, for blows have to be borne as well as dealt.

It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work; it fascinates me. I can sit and look at it for hours.

Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, an

La mancanza di senape rattristò l’equipaggio. Mangiammo il nostro manzo in silenzio. La vita ci sembrava vuota e insignificante.

Now I happen to possess the bump of locality. It is not a virtue; I make no boast of it. It is merely an animal instinct that I cannot help. That things occasionally get in my way — mountains, precipices, rivers, and such like obstructions — is no fault of mine. My instinct is correct enough; it is the earth that is wrong. I led them by the middle road. That the middle road had not character enough to continue for any quarter of a mile in the same direction; that after three miles up and down hill it ended abruptly in a wasps’ nest, was not a thing that should have been laid to my door. If the middle road had gone in the direction it ought to have done, it would have taken us to where we wanted to go, of that I am convinced.

Sunlight is the life-blood of Nature.

Contented, unambitious people are all very well in their way. They form a neat, useful background for great portraits to be painted against, and they make a respectable, if not particularly intelligent, audience for the active spirits of the age to play before.

The truth is, we each of us have an inborn conviction that the whole world with everybody and everything in it, was created as a sort of necessary appendage to ourselves.

You can always tell the old river hand by the way in which he stretches himself out upon the cushions at the bottom of the boat, and encourages the rowers by telling them anecdotes about the marvellous feats he performed last season.

I don't know why it should be, I am sure; but the sight of another man asleep in bed when I am up, maddens me.

The German citizen is a soldier, and the policeman is his officer. The policeman directs him where in the street to walk, and how fast to walk. At the end of each bridge stands a policeman to tell the German how to cross it. Were there no policeman there, he would probably sit down and wait till the river had passed by. At the railway station the policeman locks him up in the waiting-room, where he can do no harm to himself. When the proper time arrives, he fetches him out and hands him over to the guard of the train, who is only a policeman in another uniform. The guard tells him where to sit in the train, and when to get out, and sees that he does get out. In Germany you take no responsibility upon yourself whatever. Everything is done for you, and done well.