There’s a level of boredom where you cannot support your body weight. My parents would take me to the bank and I would just liquefy. I’d walk in, “Oh, I can’t handle this…” The legs just give out. They’d turn around from the teller’s window and I would be flat on my back in the middle of the floor. Out cold from boredom. How many times did your parents have to say to you, “Would you get up off the floor?” “I can’t. I’m so bored.” They do that scream whisper, “I said, GET UP…” They would grab your arm to try and pick you up, and you would just twirl around the floor like cooked spaghetti. “I can’t get up, Mom. I’m so sorry. I have no bones anymore from the boredom of this bank.” Adulthood is the ability to be totally bored and remain standing.
American comedian and actor
Jerome Allen "Jerry" Seinfeld (born April 29, 1954) is an American stand-up comedian, actor, writer, and producer. He is best known for playing a semi-fictionalized version of himself in the sitcom Seinfeld, which he created and wrote with Larry David. The show aired on NBC from 1989 until 1998, becoming one of the most acclaimed and popular American sitcoms of all time. As a stand-up comedian, Seinfeld specializes in observational comedy.
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The luge is the only sport I've ever seen that you could have people competing in it against their will, and it would be exactly the same. Y'know, if they were just grabbin' people off the street: "Hey! Hey, hey! What is this? I don't want to be in the luge!" Y'know, you put the helmet on 'em, you wouldn't really hear 'em screaming; just: (whoosh) "You're in the luge, buddy!" (panicked screams) World record. Didn't even want to do it! I want to see that event next year: the involuntary luge.
Life is truly a ride. We're all strapped in and no one can stop it. When the doctor slaps your behind, he's ripping your ticket and away you go. As you make each passage from youth to adulthood to maturity, sometimes you put your arms up and scream, sometimes you just hang on to that bar in front of you. But the ride is the thing. I think the most you can hope for at the end of life is that your hair's messed, you're out of breath, and you didn't throw up.
We worked to death. Y'know? That's what Larry and I did. We did not rest, we did not... spare an ounce of effort; we would just order people out of the room: "Get out! Get out! We're working!" Y'know? And we-- And that's why those scripts were as good as they were: 'cause when they got to that table, and those actors got 'em, they were worked. So: is that luck? I don't think so. That wasn't luck. That was-- We earned that.
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We weren't really trying to gain more attention or-- We certainly weren't trying to be provocative in any way. We were just -- as any TV show is -- constantly struggling to come up with new ideas. And when you're struggling, bad ideas start to sound like good ideas. And crazy ideas start to sound like sane ideas! And that's what happened in Season 4, is a lot of crazy ideas started to make sense.
Men will always say they love women as a group, but somehow seem to be less fond of them as individuals. Women, on the other hand, often appreciate the man they're with but almost never have anything nice to say about our sex as a group. [...] Women are afraid of men they don't know. Men are afraid of women they know very well.
I had glasses when I was 10 years old. [...] Somebody puts something on your face at 10, you leave it there; you don't know the difference! I thought I was getting glasses 'cause I couldn't tell what my parents looked like. 'Cause every time I'd ask my mother to buy me something, she'd say "What do I look like? A bank?"