American writer of speculative fiction (born 1942)
John Crowley (born 1 December 1942) is an American author of fantasy, science fiction and mainstream fiction, most famous as the author of Little, Big (1981), which received the World Fantasy Award for Best Novel.
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"Listen," she said. "I get off in an hour. Sit in the back. I'll see you then." As though they'd agreed to this a long time ago. That was the sign, he was as yet unused to noticing it but he was learning: that sensation that the future has already happened and is only bringing itself about in staging these present moments.
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Paradise. A world elsewhere.
He didn't really mind that there was a long Tale being told, didn't even object any longer that he had been put to its uses; he only wanted it to continue, not to stop, to go on being muttered out endlessly by whatever powers they were who spun it, putting him to sleep with its half-heard anecdotes and going on still while he slept in his grave. He didn't want it to snatch him up in this way, startle him with high, sad, harrowing conclusions he wasn't equal to. He didn't want it to have taken his wife from him.
He didn't want to be marched off to another world he couldn't imagine; a little world that couldn't be as big as this one.
Yes it is, said the breezes that passed his ears.
It couldn't contain all seasons in their fullness, all happinesses, all griefs. It couldn't contain the history of his five senses and all that they had known.
But it does, said the breezes.
Not all of that, which was his world; and then more too.
Oh more, said the Breezes; more, much more.
Nosotros decimos que para consolarnos por la pérdida del Paraíso Dios nos concedió sólo a nosotros entre todas sus criaturas Esperanza y Memoria. Mejor dijéramos: Sólo porque somos criaturas cargadas con Esperanza y Memoria alentamos la ilusión de un Paraíso que nosotros y solamente nosotros hemos perdido.
You went around back, where in the playground kids were dangling from the jungle gym waiting for mothers; connie could feel their cold skinned knees and barked knuckles–Bunce always said that imagining pain and discomfort was worse for her than the real thing when it came, which it almost never did.
Novelty and Security: the security of novelty, the novelty of security. Always the full thing, the whole subject, the true subject, stood just behind the one you found yourself contemplating. The trick, but it wasn't a trick, was to take up at once the thing you saw and the reason you saw it as well; to always bite off more than you could chew, and then chew it. If it were self-indulgence for him to cut and polish his semiprecious memories, and yet seem like danger, like a struggle he was unfit for, then self-indulgence was a potent force, he must examine it, he must reckon with it.