British physicist and mathematician (1952-2020)
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Einstein had spent the previous thirty years showing how we could understand the behaviour of whole universes with simple maths. Gamow saw that those universes must have had a past that was unimaginably different to the present. What had stopped them both in their tracks was Gamow's suggestion that the laws of physics could describe something being created out of nothing.
Gods reappear in unlimited numbers in the guise of the simulators who have the power of life and death over the simulated realities that they bring into being. The simulators determine the laws, and can change the laws, that govern their worlds. They can engineer anthropic fine-tunings. They can pull the plug on the simulation at any moment, intervene or distance themselves from their simulation; watch as the simulated creatures argue about whether there is a god who controls or intervenes, work miracles or impose their ethical principles upon the simulated reality.
Scanning the past millennia of human achievement reveals just how much has been achieved during the last three hundred years since Newton set in motion the effective mathematization of Nature. We found that the world is curiously adapted to a simple mathematical description. It is enigma enough that the world is described by mathematics; but by simple mathematics, of the sort that a few years energetic study now produces familiarity with, this is an enigma within an enigma.
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A less inflexible picture of mathematics is one that focuses on the fact that it is an open-ended human activity. Inventionism is the belief that mathematics is nothing more than what mathematicians do. ...We invent mathematics; we do not discover it. ...The independent discovery of the same mathematical theorems by different mathematicians from totally different economic, cultural, and political backgrounds—often at widely separated times in history—argues against such a simple view. The inventionist could respond by pointing to the universality of human languages. ...One might expect that those aspects of this universal grammar that share features of logic, and hence counting, would also make counting appear instinctive. In fact, although simple counting... is fairly universal in ancient and primitive cultures, virtually none of them went on to carry out mathematical operations more sophisticated than counting. This suggests that these higher mathematical operations are not genetically programmed into the human brain... They are more likely to be by-products of multi-purpose pattern-recognition capabilities.
Our sensitivity to changes of pitch ... is underused in musical sound. Western music, in particular, is based on scales that use pitch changes that are at least twenty times bigger than the smallest changes that we could perceive. If we used our discriminatory power to full, we could generate an undulating sea of sound that displayed continuously changing frequency rather like the undersea sonic songs of dolphins and whales.
Aristotle believed that the world did not come into being at some time in the past; it had always existed and it would always exist, unchanged in essence for ever. He placed a high premium on symmetry and believed that the sphere was the most perfect of all shapes. Hence the universe must be spherical. ...An important feature of the spherical shape... was the fact that when a sphere rotates it does not cut into empty space where there is no matter and it leaves no empty space behind. ...A vacuum was impossible. It could no more exist than an infinite physical quantity. ...Circular motion was the most perfect and natural movement of all.
The abstractions of Einstein's curved space and time gave rise to analogies and pictures that played a new explanatory role. Space and time gave way to space-time, visible light was augmented by images across the rest of the electromagnetic spectrum, and we realised that we could see back towards the apparent beginnings of time.
In the spring of 1845, William Parsons, the third Earl of Rosse, began observing with his great six-foot telescope... The Earl was excited by what he was the first human to see: spiral patterns of stars, seemingly swirling in great 'spiral convolutions' about the centre of the galaxy. ...No one could ever have seen the spiral pattern of stars in a galaxy unless they had looked through Rosse's telescope or seen his drawings. ...I believe that Van Gogh would have seen those drawings in the press following the publicity attracted by them, or in Flammarion's book... and gained his astronomical inspiration from them.