British physicist and mathematician (1952-2020)
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Einstein showed us that the Universe might contain a mysterious form of vacuum energy. ...Last year, two teams of astronomers used Earth's most powerful telescopes... to gather persuasive evidence for the reality of the cosmic vacuum energy. Its effects are dramatic. It is accelerating the expansion of the Universe.
Unfortunately, truth is neither a listable nor a decidable property; nor is the truth of a statement of arithmetic. The American logician John Myhill has used the term 'prospective' to characterize those attributes of the world that are neither listable nor decidable. They are properties that cannot be recognized by the application of some formula, made to conform to a rule, or generated by some computer program. They are characterized by incessant novelty that cannot be encompassed by any finite set of rules. 'Beauty', 'ugliness', 'truth', 'harmony', simplicity', and 'poetry' are names we give to some of the attributes of this sort. There is no way of listing all examples of beauty or ugliness, nor any procedure for saying whether or not something possesses either of those attributes, without redefining them in some more restrictive fashion that kills their prospective character.
Gods reappear in unlimited numbers in the guise of the simulators who have the power of life and death over the simulated realities that they bring into being. The simulators determine the laws, and can change the laws, that govern their worlds. They can engineer anthropic fine-tunings. They can pull the plug on the simulation at any moment, intervene or distance themselves from their simulation; watch as the simulated creatures argue about whether there is a god who controls or intervenes, work miracles or impose their ethical principles upon the simulated reality.
...logical contradictions will inevitably arise and the laws of the simulations will appear to break down now and again. The inhabitants of the simulation—especially the simulated scientists—will occasionally be puzzled by the experimental results they obtain. The simulated astronomers, might, for instance, make observations that show that their so-called constants of Nature are very slowly changing.
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Images and pictures... have played a key role in shaping our scientific picture of the world. ...Carefully constructed families of pictures can act as a calculus all their own. Like any successful systems of symbols, with an appropriate grammar they enlarge the number of things that we can do without consciously thinking.
Assuming the simulators, or at least the early generations of them, have a very advanced knowledge of the laws of Nature, it's likely that they would still have incomplete knowledge of them. ...gradually the little flaws will begin to build up. ...The only escape is if their creatures intervene to patch up the problems one by one as they arise.
Scanning the past millennia of human achievement reveals just how much has been achieved during the last three hundred years since Newton set in motion the effective mathematization of Nature. We found that the world is curiously adapted to a simple mathematical description. It is enigma enough that the world is described by mathematics; but by simple mathematics, of the sort that a few years energetic study now produces familiarity with, this is an enigma within an enigma.
Ancient belief in a cosmos composed of spheres, producing music as angels guided them through the heavens, was still flourishing in Elizabethan times. ...There is a good deal more to Pythagorean musical theory than celestial harmony. Besides the music of the celestial spheres (musica mundana), two other varieties of music were distinguished: the sound of instruments...(musica instrumentalis), and the continuous unheard music that emanated from the human body (musica humana), which arises from a resonance between the body and the soul. ...In the medieval world, the status of music is revealed by its position within the Quadrivium—the fourfold curriculum—alongside arithmetic, geometry, and astronomy. Medieval students... believed all forms of harmony to derive from a common source. Before Boethius' studies in the ninth century, the idea of musical harmony was not considered independently of wider matters of celestial or ethical harmony.