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It's no more of that 12 bar ditty wavy hair in the breeze platform boots flap your flare nonsense. It's not a packaged image of third-rate idiots. It's not a pose. We just do our stuff. Hate it as it usually is, you know I was very shocked by the reviews of the last album. I believe none of them. They liked us for the wrong reasons, trendy reasons.

How can you ban language, words? How're words offensive? And why should I have to tolerate YOUR interpretation? I'm the one using the word. ASK me how I'm using it, don't TELL me. And if you don't like the way I'm using it, so what? It's my right. It's my freedom of expression. Without that, we're nothing but slaves. My language, now fuck off!!!

Almost killed me, nothing to be laughed at. But oddly enough it’s something that made me. Without that, I probably wouldn’t be where I am today, so thank God I almost died. The pain I had to endure of losing my memory and forgetting who I was — that’s always still in me. I never explained it until the book, and the songs — what agony that was for me. My greatest sense of achievement was conquering that.

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Joe Strummer, God bless him, he's gone and he shall be missed. But how dare he preach class war with an organisation like that [the late '80s Rock Against The Rich movement]. Living in a huge house in Holland Park. Every photo opportunity to be seen on a bus in his leather jacket, and then he went back to a palace. You're not getting it quite right there! That's where his image mattered more to him than the reality. He was trying to con us. In a nice way and for the right reasons but once you start lying it carries on and on and on.

I've never told anyone this, but I suffer from terrible stage fright. True. You can't tell though, can you? Unbelievable, the panic. I nearly die of fear before I go on stage. Something wicked. I can't eat a thing the day before a gig. It'd make me vomit. Once I come off? I could eat a scampied elephant between two buttered mattresses. But I'm kinda glad about the stage fright. I've read Laurence Olivier and John Gielgud about their terror. And I reckon it's what gets the adrenalin going.

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When I first heard it, I thought that's extremely challenging, the vocal — it was almost hysterical, and it was so up there, the register, but it was absolutely fascinating. And I know at the time a lot of my friends couldn't bear it, they thought it was just "too much" — but that's exactly what drew me in.