— How beautiful is death, when earned by virtue! 80 Who would not be that youth? what pity is it That we can die but once to serve our country!8 — Why sits this sadness on your brows, my friends? I should have blushed if Cato’s house had stood Secure, and flourished in a civil war. 85 — Portius, behold thy brother, and remember Thy life is not thy own, when Rome demands it.

Decius A style like this becomes a conqueror. Cato Decius, a style like this becomes a Roman. Decius What is a Roman, that is Caesar’s foe? 40 Cato Greater than Caesar: he’s a friend to virtue.

the patronage of literature has gone from the cultivated noble who appreciates in much accordance with the fashion of his time, and passed into the holding of the English people. Addison and Steele lived in the transition time between these periods. They were born into one of them and — Steele immediately, Addison through Steele's influence upon him — they were trusty guides into the other. Thus the 'Spectator' is not merely the best example of their skill. It represents also, perhaps best represents, a wholesome Revolution in our Literature. The essential character of English Literature was no more changed than characters of Englishmen were altered by the Declaration of Right which Prince William of Orange had accepted with the English Crown, when Addison had lately left and Steele was leaving Charterhouse for Oxford. Yet change there was, and Steele saw to the heart of it, even in his College days.

The pleasures of the fancy are more conducive to health, than those of the understanding, which are worked out by dint of thinking, and attended with too violent a labour of the brain. Delightful scenes, whether in nature, painting, or poetry, have a kindly influence on the body, as well as the mind, and not only serve to clear and brighten the imagination, but are able to disperse grief and melancholy, and to set the animal spirits in pleasing and agreeable motions. For this reason Sir Francis Bacon, in his Essay upon Health, has not thought it improper to prescribe to his reader a poem or a prospect, where he particularly dissuades him from knotty and subtle disquisitions, and advises him to pursue studies that fill the mind with splendid and illustrious objects, as histories, fables, and contemplations of nature.

But there is nothing that makes its way more directly to the Soul than Beauty, which immediately diffuses a secret satisfaction and complacency through the imagination, and gives a finishing to any thing that is Great or Uncommon.

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I then turned again to the vision which I had been so long contemplating: but instead of the rolling tide, the arched bridge, and the happy islands, I saw nothing but the long hollow valley of Bagdad, with oxen, sheep, and camels grazing upon the sides of it.

He then led me to the highest pinnacle of the rock, and placing me on the top of it, ‘Cast thy eyes eastward,’ said he, ‘and tell me what thou seest.’ ‘I see,’ said I, ‘a huge valley, and a prodigious tide of water rolling through it.’ ‘The valley that thou seest,’ said he, ‘is the Vale of Misery, and the tide of water that thou seest is part of the great tide of Eternity.’

The genius smiled upon me with a look of compassion and affability that familiarised him to my imagination, and at once dispelled all the fears and apprehensions with which I approached him. He lifted me from the ground, and, taking me by the hand, ‘Mirza,’ said he, ‘I have heard thee in thy soliloquies; follow me.’

I cast my eyes towards the summit of a rock that was not far from me, where I discovered one in the habit of a shepherd, with a musical instrument in his hand... and began to play upon it. The sound of it was exceeding sweet, and wrought into a variety of tunes that were inexpressibly melodious, and altogether different from anything I had ever heard. ...My heart melted away in secret raptures.