In our dreams the ageless perils, gargoyles, trials, secret helpers, and instructive figures are nightly still encountered; and in their forms we may see reflected not only the whole picture of our present case, but also the clue to what we must do to be saved.

In the older view the goddess Universe was alive, herself organically the Earth, the horizon, and the heavens. Now she is dead, and the universe is not an organism, but a building, with gods at rest in it in luxury: not as personifications of the energies in their manners of operation, but as luxury tenants, requiring service. And Man, accordingly, is not as a child born to flower in the knowledge of his own eternal portion but as a robot fashioned to serve.

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Sober, modern Occidental judgement is founded on a total misunderstanding of the realities depicted in the fairy tale, the myth, and the divine comedies of redemption. These, in the ancient world, were regarded as of a higher rank than tragedy, of a deeper truth, of a more difficult realization, of a sounder structure, and of a revelation more complete.

If we could dredge up something forgotten not only by ourselves but by our whole generation or our entire civilization, we should become indeed the boonbringer, the culture hero of the day—a personage of not only local but world historical moment. In a word: the first work of the hero is to retreat from the world scene of secondary effects to those causal zones of the psyche where the difficulties really reside, and there to clarify the difficulties, eradicate them in his own case (i.e., give battle to the nursery demons of his local culture) and break through to the undistorted, direct experience and assimilation of what C. G. Jung called "the archetypal images." This is the process known to Hindu and Buddhist philosophy as viveka, "discrimination."

The mystery of life is beyond all human conception. Everything we know is within the terminology of the concepts of being and not being, many and single, true and untrue. We always think in terms of opposites. But God, the ultimate, is beyond the pairs of opposites, that is all there is to it.

"1. Mother Universe
The world generating spirit of the father passes into the manifold of earthly experience through a transforming medium - the mother of the world. She is a personification of the primal elements named in the second verse of Genesis - "the spirit of God moved upon the face of the waters." In the Hindu myth, she is the female figure whom the self begot all creatures through: more abstractly understood, she is the world-bounding frame: time, space, and causality. the shell of the cosmic egg. More abstractly still, she is the lure that moved the self-brooding absolute to the act of creation.
In mythologies emphasizing the maternal rather than the paternal aspect of creation, this original female fills the wolrd stages in the beginning, playing the roles that are elsewhere assigned to males. And she is a virgin, because her spouse is the Invisible Unknown."

People say that what we're all seeking is a meaning for life. I don't think that's what we're really seeking. I think what we're seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonance within our own innermost being and reality, so that we actually feel the rapture of being alive. That's what it's all finally about.

Eternity isn’t some later time. Eternity isn’t some long time. Eternity has nothing to do with time. Eternity is that dimension between here and now, where thinking and time cuts out. If you won’t get it here, you won’t get it anywhere. The experience of eternity right here and now is the function of life