The first article in the foregoing quotation brings to my recollection the extraordinary performances of a professed fire-eater, whose name was Powel, well known in different parts of the kingdom about forty years ago. Among other wonderful feats, I saw him do the following: He ate the burning coals from the fire; he put a large bunch of matches lighted into his mouth, and blew the smoke of the sulphur through his nostrils; he carried a red-hot heater round the room in his teeth; and broiled a piece of beef-steak upon his tongue. To perform this, he lighted a piece of charcoal, which he put into his mouth beneath his tongue, the beef was laid upon the top; and one of the spectators blew upon the charcoal, to prevent the heat decreasing, till the meat was sufficiently broiled. By way of conclusion, he made a composition of pitch, brimstone, and other compustibles, to which he added several pieces of lead; the whole was melted in an iron ladle, and then set on fire; this he called his soup; and, taking it out of the ladle with a spoon of the same metal, he ate it in its state of liquefaction, and blazing furiously, without appearing to sustain the least injury.

In the Roman de la Rose, we read of a dance, the name of which is not recorded, performed by two young women lightly clothed. The original reads, "Qui estoient en pure cottes, et tresses a menu tresse;" which Chaucer renders, "In kyrtels, and none other wede, and fayre ytressed every tresse." The French intimates that their hair was platted, or braided in small braids. The thin clothing, I suppose, was used then, as it is now upon like occasions, to show their persons to greater advantage. In their dancing they displayed a variety of singular attitudes; the one coming as it were privately to the other, and, when they were near together, in a playsome manner they turned their faces about, so that they seemed continually to kiss each other.

The English are particularised for their partiality to strange sights; uncommon beasts, birds, or fishes, are sure to attract their notice, and especially such of them as are of the monstrous kind; and this propensity of our countrymen is neatly satirised by Shakspeare in the Tempest; where Stephano, seeing Calaban lying upon the stage, and being uncertain whether he was a fish, a beast, or one of the inhabitants of the island, speaks in the following manner: "Were I in England now, as once I was, and had this fish painted, not a holiday fool there but would give me a piece of silver. There would this monster make a man: any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian." Indeed, we may observe that a cow with two heads, a pig with six legs, or any other unnatural production, with proper management, are pretty certain fortunes to the possessors.

It has before been observed that this author is very severe upon most of the popular sports; but in justice to him I may add, that similar complaints have been exhibited against the church-ales and wakes in times greatly anterior to his existence. And, indeed, if we look at the wakes and fairs as they are conducted in the present day, I trust we shall not hesitate to own that they are by no means proper schools for the improvement of the public morals.

In an old Chronicle of Norway, we find it recorded of Olaf Tryggeson, a king of that country, that he was stronger and more nimble than any man in his dominions. He could climb up the rock Smalserhorn, and fix his shield upon the top of it; he could walk round the outside of a boat upon the oars, while the men were rowing; he could play with three darts, alternately throwing them in the air, and always kept two of them up, while he held the third in one of his hands; he was ambidexter, and could cast two darts at once; he excelled all the men of his time in shooting with the bow; and he had no equal in swimming.

Shove-groat, named also Slyp-groat, and Slide-thrift, are sports occasionally mentioned by the writers of the sixteenth and seventeenth centuries, and probably were analogous to the modern pastime called Justice Jervis, or Jarvis, which is confined to common pot-houses, and only practiced by such as frequent the tap-rooms.

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The national passion for secular music admitted of little or no abatement by the disgrace and dispersion of the minstrels. Professional musicians, both vocal and instrumental, were afterwards retained at the court, and also in the mansions of the nobility. In the sixteenth century, a knowledge of music was considered as a genteel accomplishment for persons of high rank. Henry VIII not only sang well, but played upon several sorts of instruments; he also wrote songs, and composed the tunes for them; and his example was followed by several of the nobility, his favourites.

These selfish professors of religion [monks] grudged every act of munificence that was not applied to themselves, or their monasteries; and could not behold the good fortune of the minstrels without expressing their indignation; which they often did in terms of scurrilous abuse, calling them janglers, mimics, buffoons, monsters of men, and comtemptible scoffers. They also severely censured the nobility for patronizing and rewarding such a shameless set of sordid flatterers, and the populace for frequenting their exhibitions, and being delighted with their performances, which diverted them from more serious pursuits, and corrupted their morals. On the other hand, the minstrels appear to have been ready enough to give them ample occasion for censure; and, indeed, I apprehend that their own immorality and insolence contributed more to their downfal, than all the defamatory declamations of their opponents.

The only vestige of these musical vagrants now remaining, is to be found in the blind fiddlers wandering about the country, and the ballad singers, who frequently accompany their ditties with instrumental music, especially the fiddle, vulgarly called a crowd, and the guitar. And here we may observe, that the name of fiddlers was applied to the minstrels as early at least as the fourteenth century: it occurs in the Vision of Pierce the Ploughman, where we read, "not to fare as a fydeler, or a frier, to seke feastes."

Under queen Elizabeth, the minstrels had lost the protection of the opulent; and their credit was sunk so low in the public estimation, that, by a statute in the thirty-ninth year of her reign against vagrants, they were included among the rogues, vagabonds, and sturdy beggars, and subjected to the like punishments. This edict also affected all fencers, bearwards, common players of interludes (with the exception of such players as belonged to great personages, and were authorised to play under the hand and seal of their patrons), as well as minstrels wandering abroad, jugglers, tinkers, and pedlars; and seems to have given the death's wound to the profession of the minstrels, who had so long enjoyed the public favour, and basked in the sunshine of prosperity.

The Norman minstrel Tallefer, before the commencement of the battle at Hastings, cast his lance into the air three times, and caught it by the head in such a surprising manner, that the English thought it was done by the power of enchantment.

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In some great boarding schools for the fair sex, it is customary, upon the introduction of a novice, for the scholars to receive her with much pretended solemnity, and decorate a throne in which she is to be installed, in order to hear a set speech, addressed to her by one of the young ladies in the name of the rest. The throne is wide enough for three persons to sit conveniently, and is made with two stools, having a tub nearly filled with water between them, and the whole is covered by a counterpane or blanket, ornamented with ribands and other trifling fineries, and drawn very tightly over the two stools, upon each of which a lady is seated to keep the blanket from giving way when the new scholar takes her place; and these are called her maids of honour. The speech consists of high-flown compliments calculated to flatter the vanity of the stranger; and as soon as it is concluded, the maids of honour rising suddenly together, the counterpane of course gives way, and poor miss is unexpectedly immerged in the water.

The pipe-call, mentioned by Burton, is noticed under a different denomination by Chaucer; "Lo," says he, "the birde is begyled with the merry voice of the foulers' whistle, when it is closed in your nette," --alluding to the deceptive art of the bird-catchers in his time.

The grand fauconnier of France was an officer of great eminence; his annual salary was four thousand florins; he was attended by fifty gentlemen, and fifty assistant falconers; he was allowed to keep three hundred hawks, he licensed every vender of hawks in France, and received a tax upon every bird sold in that kingdom, and even within the verge of the court; and the king never rode out upon any occasion of consequence without this officer attending upon him.

The "time of grace" begins at Midsummer, and lasteth to Holyrood-day. The fox may be hunted from the Nativity to the Annunciation of our Lady; the roebuck from Easter to Michaelmas; the roe from Michaelmas to Candlemas; the hare from Michaelmas to Midsummer; the wolf as the fox; and the boar from the Nativity to the Purification of our Lady.